Elaine Bonazzi News
American operatic mezzo-soprano (1929-2019)
- mezzo-soprano
- United States of America
- opera singer
Last update
2024-04-20
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2023-08-15 04:00:00
Music for Two Organs for the 18th & 19th Centuries (János Sebestyén, Miklós Spányi)
Daniel Gottlieb Steibelt (1755-1828)Sonata in G majorFerdinando Bonazzi (1764-1845)Pastorale in E-flat major; Sonata in C majorSevero Giussani (?-1765)Sonata concertata in G majorAnonimo Italiano (19th c.)Sonata in E-flat majorJohannn Baptist Cramer (1771-1858)Sonata in F majorTommaso Giordani (1733-1806)Duettino in D majorMuzio Clementi (1752-1832)Sonata in A major; Sonata in C major [Flac & Scans]János Sebestyén, Miklós Spányi, Period Organs (sort of)Hungaroton HCD 32167-2 (20030
2015-10-15 15:00:14
Dancing in the dark
[…] Severance Hall is one of the earliest documents of that celebrated portrayal. The Chrysothemis and Klytämnestra of that Met broadcast, Roberta Knie and Astrid Varnay, join her in this version, which also includes the deluxe Orest and Aegisth of José van Dam and Kenneth Riegel. R. Strauss: Elektra Cleveland Orchesta Severence Hall, 1973 Conductor: Lorin Maazel Elektra: Ursula Schroeder-Feinen Chrysothemis: Roberta Knie Klytemnestra: Astrid Varnay 1st Maid: Elaine Bonazzi 2nd Maid/Confidante: Sofia Stefan 3rd Maid/Trainbearer: Ellen Davis 4th Maid: Pamela Hebert 5th Maid: Annette Parker Overseer: Margaret Hauptmann Orest: Jose van Dam Aegisth: Kenneth Riegel Young Servant: Gerard English Old Servant: Simon Estes Download audio file (Elektra_SF.mp3) Tonight Christine Goerke brings her acclaimed Elektra to Symphony Hall for the first of three concerts with the Boston Symphony and Andris Nelsons, the third of […]
2015-09-17 16:05:06
Red-headed woman
Forty-nine years ago this month, Beverly Sills sang Cleopatra at New York City Opera and became an overnight sensation at age 37. Surprisingly she sang only two other Handel roles, one—Semele—is featured in this scintillating souvenir from the 1969 Caramoor Festival. Sills at the peak of her powers and Handel’s 1743 secular oratorio (set to William Congreve’s delicious text ) make a perfect match. Aside from some cuts, Julius Rudel mostly keeps his mitts off the score (unlike the Giulio Cesare and Ariodante Sills did with him) and presides over an appealing cast that features an aging Léopold Simoneau who remains an elegant stylist. Other stand-outs include Elaine Bonazzi as a fire-breathing Juno and John Ferrante–taking a well-deserved break from being PDQ Bach’s “bargain-counter-tenor”– as Athamas. Acknowledging that it may prove challenging to listen to these full-length works on the Parterre site, La Cieca has performed some technical wizardry and […]
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