Eugen d'd'Albert News
Scottish-born German pianist and composer (1864-1932)
Commemorations 2024 (Birth: Eugen d'd'Albert)
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2024-03-26
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2024-03-22 12:00:00
Organ Reborn! Norwich Cathedral Organ Festival: A new music festival for Norwich
Norwich Cathedral Organ (Photo: Bill Smith/Norwich Cathedral)From an epic concert featuring three Cathedral Choirs to the ‘Battle of the Organs’, audiences will be able to enjoy a whole week of musical festivities at Norwich Cathedral in July marking the return of the Cathedral’s historic pipe organ as part of the first Norwich Cathedral Organ Festival. Norwich Cathedral Organists (Photo: Bill Smith/Norwich Cathedral)In fact, this special summer festival (generously underwritten by the Statham Society which supports the musical life of Norwich Cathedral) has been carefully planned to coincide with the first anniversary of the organ’s return following its ambitious rebuild by Harrison & Harrison. Therefore, Organ Reborn! Norwich Cathedral Organ Festival, runs from Saturday 6th to Sunday 14th July featuring three headline concerts, six organ recitals, a couple of talks and so much more! ‘We are really excited to be celebrating the return of Norwich Cathedral’s historic pipe organ,’ said Ashley Grote, […]
2024-03-16 09:57:00
From Early Music to contemporary: the Royal Festival Hall organ is 70 and organist James McVinnie is celebrating with a Southbank Centre residency
James McVinnie performing at the Royal Festival Hall organ with Bedroom Community - Sept 2015The Royal Festival Hall organ is 70. Built from 1950–1954 to the specification of the London County Council's consultant, Ralph Downes, it was restored and re-configured by Harrison & Harrison as part of the hall's reconstruction during 2005-2007 and it was re-inaugurated on its 60th anniversary in March 2014. Now, to celebrate the instrument's 70th birthday, organist James McVinnie has a residency at the Southbank Centre featuring organ recitals including a wide range of repertoire as well as an appearance by the James McVinnie Ensemble.Though James had played the organ once before the rebuild, he was not familiar with it until he came to play it as part of the 2014 celebrations. But he spent two years as an organ scholar at St Albans Cathedral where the organ was also designed by Ralph Downes and built […]
2024-03-14 03:30:00
Recent Releases No. 72 (CD Reviews)
by Karl Nehring Mahler: Symphony No. 8. Carolyn Sampson/Jacquelyn Wagner, sopranos; Sasha Cooke/Jess Dandy, altos; Barry Banks, tenor; Julian Orishausen, baritone; Christian Immler, bass; Minnesota Chorale; National Lutheran Choir; Minnesota Boychoir; Angelica Cantanti Youth Choir; Minnesota Symphony; Osmo Vänskä, conductor. BIS-2496 SACD This recording of Mahler’s Symphony No. 8, a work for which to provoke public interest the organizer of the first public performances, an impresario named Emil Gutman dubbed “Symphony of a Thousand,” was made at the occasion of the final concert in the 19-year tenure of Finnish conductor Osmo Vänskä (b. 1953) as music director of the Minnesota Orchestra. He is now music director laureate, with Danish conductor Thomas Søndergård (b. 1969) succeeding him as music director. At Minnesota, Vänskä has recorded for BIS all of Mahler’s numbered symphonies except for No. 3; the following links will direct you to our reviews of Symphony No.1, Symphony No. 7, and Symphony No. 10. Those reviews were all […]
2024-03-13 08:05:00
Little short of a revelation: Michael Spyres, Les Talens Lyriques & Christophe Rousset explore Wagner's influences with In the Shadows
In the Shadows: Auber, Bellini, Berlioz, Halévy, Méhul, Meyerbeer, Rossini, Spontini, Weber, Wagner; Michael Spyres, Les Talens Lyriques, Christophe Rousset; EratoReviewed 12 March 2024A wonderfully imaginative recital, showcasing both the wide range and variety of Wagner's musical influences as well as Spyres' own virtuosity and adaptabilityThe mature Richard Wagner would have wanted you to think that his art sprang directly from his imagination, without the influence of other composers, but the reality was more complex. The young Richard was something of a sponge, soaking up influences from all over. For instance, in 1833 Würzburg Theatre staged Giacomo Meyerbeer's Robert le Diable (premiered in Paris in 1831), it was the operatic event of the year. Richard Wagner's brother Albert was singing the title role and had managed to get Richard a job as chorus master at the theatre. 20-year-old Richard rehearsed the choruses of Meyerbeer's opera and this first exposure to the […]
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