Fritz Crome News
Danish composer (1879-1948)
- piano
- Denmark
- composer, pianist, music journalist, music teacher, music publicist, music critic
Last update
2024-04-25
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2017-02-09 02:13:54
[…] brought the youthfulness that the show needed, with it being set in the 1700s, this was all aided by the little modern elements, that were shown every once in a while. Where Msamati spoke to the audience, Gillan, commanded the audience, or he pandered to them – I honestly can’t tell. I loved it though. It lightened up the piece, and the language, felt more 21st century, rather than 18th. On the other hand, Karla Crome, Constanze, was also brilliant, her presence was more subtle than her counterpart, Gillan, however just as powerful. Also Fleur de Bray, Katherina, had a glass shattering voice. The musicians stayed on stage, for most of the show, in an orchestra set-up. The centre of the stage dipped for the performances of the operas. There was also a permanent secondary stage located at the back of stage, and in moments of climax it was pulled […]
2016-11-08 23:32:45
[…] hyena laughs throughout and he’d do well to heed the advice of the original production’s director Peter Hall. “You have to make me believe you wrote that music,” he asked of Simon Callow, who played Mozart. No such caution is evident from Longhurst. While we don’t necessarily expect historical veracity from playwrights , the fact that Salieri was a respected musician, Mozart was hardworking and his wife Constanze was not the strumpet portrayed by Karla Crome but a trained musician, does not in itself make for a great story. But a more subtle interpretation of the relationship between Salieri and Mozart would add a great deal more interest and complexity to the overly polarised characterisations on show here. Runs until February 1, box office: nationaltheatre.org.uk . Related articles Wolfgang Amadeus Mozart Quiz Top 10 Austrian Musicians and Bands Mozart: Zaide CD review – […]
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