Gilardo Gilardi News
Argentine composer
- piano
- opera
- Argentina
- composer, conductor, pianist, poet
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2024-04-25
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2013-08-24 21:22:00
[…] nada menos que cuatro obras (aunque ninguna de sus nueve sinfonías). Ya en el período entre las dos guerras mundiales, y tras los esfuerzos admirables de promoción sinfónica de Williams y de Ferruccio Cattelani, apareció un músico sensible y culto, Carlos López Buchardo, que en sus "Escenas argentinas" de 1920 nos dio muestras de una buena técnica europea de influencia italiana en sutil combinación con nuestras esencias pampeanas. Gilardo Gilardi dio en su "Gaucho con botas nuevas" de 1936 un poema sinfónico de difíciles ritmos y brillante orquestación donde el malambo vertebra buena parte de la escritura. José María Castro por contraste nos ofrece en su notable Concerto grosso de 1932 uno de los mejores ejemplos del estilo neoclásico argentino. Las otras dos obras […]
2013-06-02 00:25:00
[…] K.386, for the original programming blended beautifully with the second score played by the soloist, Poulenc´s Piano Concerto. Also, I believe that conductors that make their debut here should bring along a piece of their repertoire little-known or unknown here; from a Polish artist I would have expected something by Lutoslawski, e.g., and not Gilardi´s "El gaucho con botas nuevas", programmed as a homage for the fiftieth anniversary of his death, which should be assigned to an Argentine conductor. And from Soriano, one of the very many interesting works never heard here from Spain. Another point: it´s bad policy to bring over a conductor for just one concert; they should have at least two consecutive concerts, for in the first, orchestra and conductor […]
2013-04-29 05:57:00
[…] Graf in Vienna, where she obtained a scholarship of the State Academy. She played recitals and concerts with orchestra both in Argentina, in Spain and Switzerland, but her deeper vocation was to teach. And she taught at the principal conservatories: López Buchardo, Manuel de Falla, Juan José Castro and Gilardo Gilardi, as well as the Institute of the Universidad del Litoral at Santa Fe. Her fame went beyond our country and she gave courses at universities in Geneva, Rome, Naples, Strasburg, Brussels, Paris and Madrid. Two valuable books from her pen have been very useful for students: "Elements of pianistic technique. Analysis and pedagogy", and "Teachings of a great master: Vincenzo Scaramuzza". […]
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