Grga Peroš News
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2024-04-25
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2022-08-24 10:05:00
Salzburg Festival (2) - Il trittico, 21 August 2022
Grosses FestspielhausGianni Schicchi – Misha Kiria Lauretta – Asmik Grigorian Zita – Enkelejda Shkosa Rinuccio – Alexey Neklyudov Gherardo – Dean Power Nella – Lavinia Bini Gherardino – Daniel Fussek Betto di Signa – Manel Esteve Madrid Simone – Scott Wilde Marco – Iurii Samoilov La Ciesca – Caterina Piva Maestro Spinelloccio – Matteo Peirone Ser Amantio di Noclao – Mikołaj Trąbka Pinellino – Aleksei Kulagin Guccio – Liam James Karai Buoso Donati – Leopold Böhm Michele – Roman Burdenko Giorgetta – Asmik Grigorian Luigi – Joshua Guerrero Il Tinca – Andrea Giovannini Il Talpa – Scott Wilde La Frugola – Enkelejda Shkosa Song seller – Dean Power Lovers – Dean Power, Martina Russomanno Midinettes – Dijana Kos, Irena Krsteska, Wilma Maller, Irina Peroš, Katarína Porubanová, Anna Yasiutina Dancers – Clara Cozzolino, Mário Jorge Moisés da Silva Branco, Joni Österlund, Anna Possarnig, Guillaume Rabain, Nicolas Franciscus, Giulia Tornarolli Sister […]
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Faces of classical music
2019-12-28 12:00:00
The Faces of Classical Music Choose the 20 Best Albums of 2019
[…] have died away, completely justifying the decision to place this work last on the disc.If future releases in the cycle live up to this first instalment, it will certainly be one to watch and to return to with relish. Documentation and recording are first class, and Rouvali's "solo" debut is definitely one to remember.Source: europadisc.co.uk Carl Maria von Weber: OberonLibretto by James Robinson PlanchéClemens Kerschbaumer (Oberon), tenorMirko Roschkowski (Hüon von Bordeaux), tenorDorothea Maria Marx (Rezia), sopranoGrga Peroš (Scherasmin), baritoneMarie Seidler (Fatime), mezzo-sopranoDmitry Egorov (Puck), countertenorRoman Kurtz, narratorChor und Extrachor des Stadttheaters GiessenChoral Conductor: Jan HoffmannPhilharmonisches Orchester GiessenConductor: Michael HofstetterRecorded Live December 2016 and January 2017, at Stadttheater Gießen, GermanyReleased on July 12, 2019 by Oehms ClassicsFor the specific atmosphere of Oberon, Michael Hofstetter found it crucial that the performance was played on the period instruments Weber composed for. In Giessen, he worked with four natural horns, natural trumpets, finely tuned trombones and not […]
2019-12-16 18:53:00
Emmerich Kalman - Ein Herbstmanöver (Gay Hussar)
[…] by Balázs Kovalik - probably far too idiomatic to translate, and too extensive, and includes the "Pumper-Duett" from Kalman's Der Güte Kamerad (1911). The male bonding swagger in the text fits well, as does the idea of "Pumpern", Austrian slang that means "stark, angklopfen" (bang, bang, keep knocking) - figure that out. Kalman's characters employ distince voice types - a mature soprano (Christian Boesinger) fro the Baronin Riza von Marbach, and an authoritative baritone (Grga Peroš) as Oberleutnant von Lörenthy, a lighter baritone (Tomi Wendt)for Wallerstein, the reeserve cadet who doesn't like being a soldier, and a heroic tenor (Clemens Kerschbaumer as Morosi, the virile Volunteer who steals the heart of Treska (Marie Seidler) whose father wants hervto marry Lörenthy. The plot revolves on upheaval. The castle belongs by rights to Lörenthy, but his father was bankrupted by Riza's deceased husband : Lörenthy lost his patrimony and the girl he […]
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Faces of classical music
2019-08-23 23:46:00
The best new classical albums: August 2019
Recording of the MonthCarl Maria von Weber: OberonLibretto by James Robinson PlanchéClemens Kerschbaumer (Oberon), tenorMirko Roschkowski (Hüon von Bordeaux), tenorDorothea Maria Marx (Rezia), sopranoGrga Peroš (Scherasmin), baritoneMarie Seidler (Fatime), mezzo-sopranoDmitry Egorov (Puck), countertenorRoman Kurtz, narratorChor und Extrachor des Stadttheaters GiessenChoral Conductor: Jan HoffmannPhilharmonisches Orchester GiessenConductor: Michael HofstetterRecorded Live December 2016 and January 2017, at Stadttheater Gießen, GermanyReleased on July 12, 2019 by Oehms ClassicsFor the specific atmosphere of Oberon, Michael Hofstetter found it crucial that the performance was played on the period instruments Weber composed for. In Giessen, he worked with four natural horns, natural trumpets, finely tuned trombones and not least flutes made of wood instead of metal. This produced an inexhaustible wealth of acoustic colors, enabling us to sensually experience what might really be meant by the concept of "German Romanticism" on the musical level.Michael Hofstetter conducts at many well known opera houses, orchestras and festivals, include the Bavarian, the Hamburg, […]
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