Hans Zimmer News
German film composer (born 1957)
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- piano, banjo, keyboard instrument, synthesizer, guitar, bass guitar
- soundtrack, film score, video game music
- Germany, United States of America
- composer, guitarist, pianist, record producer, film score composer
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2024-03-13
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2023-11-16 04:30:00
Anna Lapwood: Luna (CD Review)
by Karl NehringJames Newton Howard: Flying (from “Peter Pan”); Olivia Belli: Grain Moon; Chopin: Nocturne Op. 9, No. 2; Kristina Arakelyan: Dreamland; Dario Marianelli; Dawn (from “Pride and Prejudice”); Hans Zimmer: Stay (from “Interstellar”); Bach & Gounod: Ave Maria: Glass: Mad Rush; Ghislaine Reece-Trapp: In Paradisum; Ēriks Ešenvalds & Sara Teasdale: Stars; Kristina Arakelyan: Star Fantasy; Max Richter: On the Nature of Daylight; Florence Price: An Elf on a Moonbeam; Ludovico Einaudi: Experience; Debussy: Clair de Lune. Anna Lapwood, organ and conductor; Pembroke College Chapel Choir. Sony Classical 19658831402I have followed the young British musician Anna Lapwood (b. 1995) on Twitter (now known as “X” since its takeover by a notorious right-wing ultrabillionaire) for quite some time. Her posts there show her to be a charming and unpretentious artist, devoted not only to her craft, but also to helping other musicians, especially young musicians, express themselves through music. She is skilled not only as an organist, but as a conductor and broadcaster. Inn […]
2023-10-16 06:30:00
In glorious voice: Norwegian soprano Lise Davidsen returns to Wigmore Hall for a programme of art songs by Grieg, Berg, Schubert and Sibelius
[…] more than accompaniment, both brought an expressive range of colour to the quiet music. Schilflied was quietly intimate, Davidsen confiding in us but the screw tightens and we wondered what Lenau's strange poem might mean. Die Nachtigall was glorious. I loved the way that Davidsen coloured the words, and whilst she did not hold back at climaxes there was so much detail in the quieter moments too. Traumgekrönt was quiet, intense and dark, with a highly focused performance, whilst Im Zimmer had a far lighter feel, delightful and less expressionist than the other songs. Liebesode was stark and intense, building slowly through the song till all evaporated on the last word 'Sehnsucht!'. Finally, Sommertage, which plunged us straight in to a vivid yet complex world.After the interval we stayed with German for a group of Schubert songs, keeping to the more well-known items. An die Musik was highly controlled, the emotions very interior, whilst Lachen und Weinen was […]
2023-08-14 16:20:12
Consortium including composer Hans Zimmer plans multimillion-pound refurbishment of Maida Vale complex
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