Heinrich Proch News
Austrian composer (1809-1878)
- violin
- opera
- Austria
- composer, conductor, musicologist
Last update
2024-04-24
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2015-06-16 15:00:55
Married to the mobcap
[…] vocal individuality that separates the female boys from the female men, but it’s a warm and appealing sound and her embodiment of a gawky, horny kid was real enough that my companion, a first-time opera-goer, whispered at first curtain “that’s a woman playing Cherubino, right?” Lindsey, like the rest of the cast, was supported by Patrick Summers in a judicious use of ornamentation. This remains a matter of taste in Mozart, but nobody went all Proch Variations on anything so why complain? Summers was also attentive to the disparate voice sizes among the cast. Did the folle journée have its off moments? Well, of course. Having Antonio stumble across the backdrop (subtly lit by Gary Marder) with garden shears during the Count’s aria seemed like an outtake from a Carol Burnett skit, and a Countess who flips her fan one time too many during “Dove sono” evokes Carmen more than […]
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