Henri Etcheverry News
opera singer
- bass-baritone
- France
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2018-10-19 23:00:00
Debussy: Pelléas et Mélisande (1941) - Désormière
Claude Debussy Pelléas et Mélisande Jacques Jansen (Pelléas), Irène Joachim (Mélisande) Henri Etcheverry (Golaud), Germaine Cernay (Geneviève) Paul Cabanel (Arkel), Leila Ben Sedira (Yniold) Emile Rousseau (Le berger), Armand Narçon (Le médecin) Chorus Yvonne Gouverne Orchestre Symphonique dir : Roger Désormière Recorded at Salle de la Conservatoire, Paris - 1941Pristine Classical XR remastering PACO063 digital download [P] 2011FLAC files, artwork Pelléas et Mélisande is one of my favorite operas, and having collected over 50 recordings, this is my favorite. It captures the misty, gloomy atmosphere of the opera perfectly, and the remastering by Pristine sounds better than any previous incarnation. Highly recommended!Fanfare Review Roger Désormière This much-reissued set has achieved classic status and, as a performance, per se, certainly deserves it. Unlike EMI and Andante, which coupled it with other historical recordings, Pristine gives you just this 1941 performance, recorded as German troops approached Paris. While you miss […]
2017-08-06 01:00:00
LE CHANT FRANÇAIS: Les années Pathé 1948-1965 EMI Classics 7243 5 85329 2 0 mono/stereoCoffret 10 CDs(P) 2003Currently out-of-print CD 1 - Régine Crespin CD 2 - Régine Crespin - Solange Michel CD 3 - Martha Angelici CD 4 - Rita Gorr CD 5 - Rita Gorr - Janine Micheau - Ernest Blanc CD 6 - Janine Micheau - Ernest Blanc CD 7 - Michel Dens CD 8 - Nicolai Gedda - Jean Borthayre CD 9 - Albert Lance - Raoul Jobin - Paul Finel CD 10 - Henri Legay Orchestres divers, direction : Georges Prêtre, Otto Ackermann, André Cluytens, Jésus Etcheverry, Edward Downes, Lawrence Collingwood, Pierre Dervaux, Albert Wolff, Georges Tzipine. FLAC, cuesheets, logs, scans, booklet On a tant médit sur la soi-disant crise de l'opéra en France dans les années 1950-1960 : crise de voix, crise de répertoire, crise de mise […]
2015-12-29 05:09:00
[…] soprano Cecilia Arroyo proved satisfying in its alternation of cantatas and instrumental pieces of these two great names of German Baroque. The three initial pieces were by the long-lived and enormously prolific Georg Philipp Telemann: an attractive Sonata in G minor , TWV anh 42:g (Telemann catalogue addenda) for two recorders and continuo in the "da chiesa" disposition (slow-fast-slow-fast), admirably played by Gonzalo Juan and José Luis Etcheverry (recorders) and the continuo (Ignacio Caamaño, Baroque cello, and Matías Targhetta, harpsichord); an l1-minute cantata, "Hemmet den Eifer" ("Control your zeal"), correctly sung though the voice is incisive in the highs, informative because the Telemann cantatas are rarely programmed and on the basis of this one are certainly worth knowing; and a charming Duetto TWV 40:107 for two recorders. […]
2013-09-07 06:03:00
[…] the images had followed the programme attached to the score and sanctioned by Vivaldi. The Academia Bach gave us a splendid session of instrumental Baroque based on composers attached to the Dresden court. An admirable group of artists coincided at the Iglesia Metodista Central: Pablo Saraví, violin; Andrés Spiller, oboe; Gabriel Pérsico, flute; José Luis Etcheverry, recorder; Edgardo Zollhofer, cello; Manuel Adduci, viola da gamba; and Mario Videla, harpsichord and organ. The five works selected were all quite interesting and showed the richness of technique and inspiration of those times. Two were premieres: the Sonata in E minor for violin and continuo by Johann Georg Pisendel, the greatest German violinist […]
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