Hubert Léonard News
Belgian musician (1819-1890)
- violin
- classical music
- Belgium
- composer, music teacher, university teacher, violinist
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2024-03-28
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2024-03-14 03:30:00
Recent Releases No. 72 (CD Reviews)
by Karl Nehring Mahler: Symphony No. 8. Carolyn Sampson/Jacquelyn Wagner, sopranos; Sasha Cooke/Jess Dandy, altos; Barry Banks, tenor; Julian Orishausen, baritone; Christian Immler, bass; Minnesota Chorale; National Lutheran Choir; Minnesota Boychoir; Angelica Cantanti Youth Choir; Minnesota Symphony; Osmo Vänskä, conductor. BIS-2496 SACD This recording of Mahler’s Symphony No. 8, a work for which to provoke public interest the organizer of the first public performances, an impresario named Emil Gutman dubbed “Symphony of a Thousand,” was made at the occasion of the final concert in the 19-year tenure of Finnish conductor Osmo Vänskä (b. 1953) as music director of the Minnesota Orchestra. He is now music director laureate, with Danish conductor Thomas Søndergård (b. 1969) succeeding him as music director. At Minnesota, Vänskä has recorded for BIS all of Mahler’s numbered symphonies except for No. 3; the following links will direct you to our reviews of Symphony No.1, Symphony No. 7, and Symphony No. 10. Those reviews were all […]
2024-02-26 04:30:00
Absolutely on Music: Conversations with Seiji Ozawa (Book Review)
by Karl NehringMurakami, Haruki. Absolutely on Music: Conversations with Seiji Ozawa. New York: Alfred A Knopf, 2016. The world of classical music lost a legendary figure earlier this month when the revered and beloved Japanese conductor Seiji Ozawa (1935-2024) passed away at the age of 88. February 6 has long been a memorable day in my life, for it was my ETS day – the day I was discharged from active duty in the U.S. Army, way back in 1975. But from now on, February 6, the day of Seiji Ozawa’s passing, will have an additional memory attached to it, making it a bittersweet day of remembrance for the rest of my time here on this watery orb. My guess would be that most lovers of classical music have at least a few recordings in their collection that feature Maestro Ozawa. He was at the helm of the venerable Boston Symphony Orchestra […]
The Boston Musical Intelligencer
2024-02-17 13:50:36
On a Saturday evening some 70 years ago I heard the Boston Symphony Orchestra live for the first time. Melville Smith, then director of the Longy School, had given me two tickets he couldn’t use. Charles Munch conducted. Before the intermission came Honegger’s Symphony no. 1; the program notes mentioned harmony that “trends toward C major,” which amused me and my 9th-grade classmate George Nelson — it must have meant that the symphony was “modern.” After the intermission we heard Schubert’s “Great” Symphony in C Major, a work I had never heard before, but George knew it well. “This symphony begins with a solo horn,” he said. (Actually it turned out to be two in unison.) I was deeply impressed by the experience, and especially by the slow movement, but never imagined that I would write a book about this symphony a few years later (2011). Eventually I began to […]
2024-02-15 04:30:00
Copland Conducts Copland: The Complete Columbia Album Collection (CD Review)
by Karl Nehring This 20-CD box set from Sony Classics (20 CD 19439977462) includes Aaron Copland’s complete own recordings for Columbia Masterworks from 1935 to 1976 plus his first recording of The Tender Land Suite and the first recording by the composer of Appalachian Spring for RCA Red Seal on 19 CDs. The set also includes recordings an additional CD featuring two of his works conducted by Leonard Bernstein. Although Sony Classical had issued many of Copland’s CBS/Columbia recordings on CD before, including a major 5-disc set in 2013, this new collection marks the first all-inclusive compilation of his authoritative interpretations along with the composer’s six early recordings for the first time on Sony Classical CD. The 20 discs are enclosed in sleeves that are replicas of the original LP covers – a nice touch (although the tiny font on the rear of those sleeves is one of the very few negatives of the transition […]
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