Igor Stravinsky News
Russian composer (1882–1971)
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- piano
- opera, symphony, chamber music, 20th-century classical music
- France, Russian Empire, United States of America, Russia
- composer, conductor, pianist, musician
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2024-03-12
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Royal Opera House (The Guardian)
2024-03-09 13:00:31
The week in classical: LSO/ Rattle; The Rake’s Progress; The Flying Dutchman; Elena Urioste and Tom Poster – review
Barbican; Hackney Empire; Royal Opera House; St Mark’s church, LondonDread runs through John Adams’s pulsating new short symphony; Stravinsky’s Rake has plenty of company at ETO; Bryn Terfel returns as the mythical Dutchman; and two lockdown favourites bring the house downIf you feel helpless in the face of world events and battered by 24-hour news, you are in good company: America’s greatest living composer,
2024-03-08 15:52:00
Lumen Christi: I chat to Master of Music, Simon Johnson about his first disc with the choir of Westminster Cathedral
Simon Johnson & the choir of Westminster Cathedral recording at Buckfast AbbeyAd Fontes, the record label founded by Buckfast Abbey, is releasing Lumen Christi on 22 March 2024. A sequence of sequence of music for the Easter Vigil from the choir of Westminster Cathedral, this will be a follow-up to the choir's Vexilla Regis disc on the label. The new disc features plainchant alongside music by Lassus, Andrew Reid, Victoria, Palestrina, Matthew Martin, Jean L'Heritier, Jean Langlais and Martin Baker. But perhaps more significantly, the disc is the first one for the choir under its current Master of Music, Simon Johnson. Simon became Master of Music at Westminster Cathedral in September 2021, following thirteen years as the Organist and Assistant Director of Music at St Paul’s Cathedral.The choir's disc Vexilla Regis, released in 2019, featured music for Holy Week so the new disc, with its focus on the Easter Vigil […]
2024-03-08 09:15:00
A vivid account of Szymanowski's rarely performed Harnasie from the LPO, with a visual installation from Wayne McGregor & Ben Cullen Williams that never quite matched the terrific music
Wayne McGregor & Ben Cullen Williams: A Body For Harnasie - London Philharmonic Orchestra, Edward Gardner - Royal Festival Hall (Photo: Mark Allan)Tania León: Raíces, Ravel: La Valse, Wayne McGregor & Ben Cullen Williams: A Body for Harnasie (based on Szymanowksi's Harnasie); London Philharmonic Orchestra, Edward Gardner, Robert Murray, Vlaams RadiokoorReviewed 6 March 2024Szymanowski's rarely performed late ballet-pantomime in a terrific performance that vividly brought out the work's colour and symphonic depth, with a visual installation that did not always match thisKarol Szymanowski's Harnasie is one of his late, folk-imbued works inspired by the music of the Polish Tatra mountains. Harnasie, the ballet-pantomime which Szymanowski worked on from 1923 to 1931, not only uses the music but sets its story in the Tatra mountains too. It remains, however, an unjustly neglected work. On 6 March 2024 at the Royal Festival Hall, Edward Gardner and the London Philharmonic Orchestra gave us […]
2024-03-07 07:39:00
Danza Gaya: Simon Callaghan & Hiroaki Takenouchi play with wonderful elan & relish, clearly having a great deal of fun
Danza gaya: music for two pianos - Madeleine Dring, Dorothy Howell, Pamela Harrison; Simon Callaghan, Hiroaki Takenouchi; LYRITAThree 20th-century English women composers, thirteen pieces all virtually unknown; Simon Callaghan & Hiroaki Takenouchi take us on an engagingly enjoyable explorationNone of the composers on pianists Simon Callaghan and Hiroaki Takenouchi's new disc are well enough known. Danza gaya on the Lyrita label features delightful music for two pianos by three women from 20th century English music, Madeleine Dring, Dorothy Howell and Pamela Harrison.We open with a group of pieces by Dring. Something of a child prodigy, Dring's time at the Royal College of Music would include lessons with Howells and Vaughan Williams, but her interests were wider and much of her working life was in theatre and cabaret. There is a lightness to a lot of her music that belies its fine craftsmanship and has, I think, rather mitigated against its appreciation. […]
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