Ingebret Haaland News
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2020-07-09 23:23:00
American Masters – Unladylike2020: The Changemakers Premieres Friday 7/10 on PBS Featuring Women Who Transformed the Nation
[…] American women's civil rights organization; and Zitkála-Šá, also known as Gertrude Simmons Bonnin, who lobbied for U.S. citizenship, voting rights, and sovereignty for American Indians a century ago. The hour concludes with the perspectives of contemporary women thought leaders, who consider the lasting impact of these trailblazers’ accomplishments on our nation, and the work they began 100 years ago that is unfinished today. Interviewees include Rep. Deb Haaland (NM-01), one of the first American Indian women in Congress; former Rep. Mia Love (UT-04), the first African American Republican woman in Congress; Ai-jen Poo, executive director of the National Domestic Workers Alliance; and Brittany Packnett-Cunningham, member of the Ferguson Commission formed following the police shooting death of Michael Brown, Jr. in Ferguson, Missouri. Unladylike2020 Executive Producer and series creator Charlotte Mangin describes the history featured in the […]
2019-06-17 08:06:00
Review of BBC Philharmonic, Elizabeth Watts, Mark Simpson, Ben Gernon at Bridgewater Hall
[…] to be barely audible but with no less of her golden tone, and finished it in glorious voice. The orchestra, in addition to that wind serenade, played the Overture and the March entr’acte before the second act, and under Ben Gernon’s baton, sounded rich and rounded, even in reduced-strings format. Gernon’s major task was Mahler’s Symphony no. 4 (with Elizabeth Watts present to sing in the fourth movement). The horn playing of guest principal Eirik Haaland was again a notable feature – indefatigable, he left his fifth horn assistant with hardly anything to play all evening, and sounded uniformly wonderful. Ben Gernon called forth great surges of tone from the outset, even in Mahler’s more innocent-seeming melodies, and brought clear characterization to each of the opening movement’s many themes. That’s important, because the subtlety of the finale lies in its recalling of echoes from beforehand in new contexts and […]
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