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2024-03-28
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2024-03-27 08:09:00
Revisiting Staatsoper Berlin’s Ring cycle proved a thrilling experience: Dmitri Tcherniakov's production returns to Unter den Linden with conductor Philippe Jordan
Wagner: Das Rheingold - Staatsoper Berlin, 2022 (Photo: Monika Rittershaus)Wagner: The Ring of the Nibelungen; Tomasz Konieczny, Rolando Villazón, Johannes Martin Kränzle, Robert Watson, Vida Miknevičiūtė, René Pape, Claudia Mahnke, Anja Kampe, Andreas Schager, Stephan Rügamer, dir: Dmitri Tcherniakov; Staatskapelle Berlin, cond: Phillipe Jordan; Staatsopernchor, dir: Dani Juris, Staatsoper Berlin, Germany Reviewed by Tony Cooper, 26 March 2024True to form, Dmitri Tcherniakov drifts miles away from Wagner’s original intentions but, nonetheless, comes up with an interesting and extremely rewarding productionThe current Ring at Staatsoper Berlin came into being in October 2022 directed by Russian director Dmitri Tcherniakov due to be conducted by Daniel Barenboim. Sadly, though, Maestro Barenboim, had to pull out of the production because of severe health issues, a great blow to all but so disappointing for Barenboim in his 80th year. All change, please! Therefore, it’s musical chairs at Staatsoper with Maestro Barenboim, who has held […]
The Boston Musical Intelligencer
2024-03-12 18:22:30
Celebrating Lutheran Master’s 339th Birthday
[…] be complete without at least one cantata, and this year’s BBB features two. At 3:45, baritone Richard Giarusso performs an old friend, Bach’s solo cantata BWV 82 Ich habe genug, accompanied by a small ensemble. Giarusso is no stranger to the Boston musical scene, having studied at Harvard and now serving as Dean of Academic Affairs at the New England Conservatory. The second cantata will be heard at the 5pm Vespers service: Bach’s tour-de-force for Palm Sunday, BWV 182 Himmelskönig sei willkommen. Vespers will also feature a delightful festival Magnificat scored for the same ensemble as the cantata. Having been found in the Düben collection alongside works by the north German master Dieterich Buxtehude, the Magnificat was once assumed to be his; however this attribution has since been overturned on stylistic grounds, and the work has joined the ranks of compositions by that most prolific of all composers, Anonymous. The […]
South Florida Classical Review
2024-03-09 16:08:02
A West Palm Beach audience on Friday night experienced the towering […]
South Florida Classical Review
2024-03-07 13:56:15
World premieres may be unusual events for many orchestras. But for […]
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