Jan Beran News
Swiss composer, mathematician, and statistician
- piano
- classical music, world music
- Switzerland
- composer, instrumentalist, mathematician, statistician
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2024-03-28
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Chamber Music Today
2012-02-01 02:15:00
Ingrid Stölzel’s Explorations of Time and Identity
[…] miracle is the only thing that happens, but to you it will not be apparent Until all events have been studied and nothing happens that you cannot explain. And Life is the destiny you are bound to refuse until you have consented to die.” W.H. Auden, ‘For the Time Being’.Ingrid Stölzel website newEar Contemporary Music Ensemble website Greenbrook Ensemble website Auden W. For the Time Being. (1942) Modern Library, 2007, pp. 347-400. Beran J. Statistics in Musicology. Chapman & Hall/CRC, 2003. Bossart W. Borges and Philosophy: Self, Time, and Metaphysics. Lang, 2003. Dillard A. For the Time Being. Vintage, 2000. Farin I. Heidegger's Concept of Time: The First Draft of Being & Time. Athlone/Continuum, 2011. van Hysteen J, Wiebe E, eds. In Search of Self: Interdisciplinary Perspectives on Personhood. Eerdmans, 2011. Ilomäki T. On the Similarity of Twelve-tone Rows. DMA Dissertation, Sibelius Academy, Helsinki, 2008, pp. 196–222. […]
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Chamber Music Today
2012-01-01 14:10:00
Jan Beran’s ‘Winter711’, fractional Brownian motifs, long-range interdependence
D reams pass into the reality of action. From the actions stems the dream again. And this interdependence produces the highest form of living.” Anaïs Nin.A new year; an occasion for us to meditate on how our mutual feelings and actions—our own; those of friends and family members—are meaningfully intertwined over long stretches of time. H ere’s an MP3 of Jan Beran (piano) and Christopher Raphael (oboe) performing Beran’s ‘Winter 711’. Beautiful and evocative of long-range interdependence/entanglement. I f you’re interested, some of the mathematical underpinnings of the compositional method used to create ‘Winter 711’ can be found in the links below. Happy New Year! I believe it is not possible to coordinate musical parts in a purely responsive manner. That is, a system that simply triggers its events on the detection of notes […]
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