Johann Baptist Gänsbacher News
Austrian composer (1778-1844)
Commemorations 2024 (Death: Johann Baptist Gänsbacher)
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2024-03-25
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2022-03-31 04:00:00
Johann Baptist Gänsbacher (1778-1844) Serenade for Flute & Guitar, Op. 12 Joseph Ewald Reiner (b. 1784) VIII Grandes Variations for Guitar, Op. 6 Johann Nepomouk Huber (b. 1803) La vestale de Spontini - Marche (arr. for Guitar) Leonhard von Call (1767-1815) Serenade for Flute & Guitar, Op. 54 Guitar Sonata in A minor, Op. 22 No. 2 Luigi Lupo, Tranverse Flute, Giuseppe Carrer, Romantic Guitar Dynamis CDS 657 (2009) [Flac & Scans]
2022-01-06 05:00:00
Anton Bruckner (1824-1896) Missa Solemnis in B-flat minor, WAB 29 (1854) Tantum Ergo (Sakramentslied) in B-flat major, WAB 44 (1852) Magnificat in B-flat major, WAB 24 (1852) Joseph Eybler (1765-1846) Magna et mirabilia Offertorium in B-flat major, IHV 108 (1828) Robert Führer (1807-1861) Christus factus est Graduale in F minor, KoIF 87 14(1830) Johann Baptist Gänsbacher Te Deum in D major, Op 45 (1844) Lukasz Borowicz, Akademie für alte Musik Berlin, RIAS Kammerchor (Period Instruments) Accentus Musicus ACC 30429 (2018) Flac & Scans]
2020-09-24 16:18:35
Johannes Brahms dedicated his cello sonata to Josef Gänsbacher, who was flattered and delighted. When Brahms visited him, he insisted on playing through the piece with the composer, giving rise to a possibly often repeated and utterly characteristic story. In their progress through the piece, Brahms began playing very loudly, causing Gänsbacher to complain that he could not hear himself. “Lucky you,” Brahms replied to the overwhelmed amateur, and proceeded to play even louder. This Sonata, Op. 38 in E minor, is somewhat unusual and what ended up getting published in 1866 was not what Brahms and Gänsbacher would have played.
2020-04-01 11:43:04
When Johannes Brahms came to Vienna, one of his supporters was the famous vocal coach and Lieder composer Josef Gänsbacher (1829-1911), who was also an amateur cellist. In appreciation, Brahms dedicated a cello sonata he was working on to Gänsbacher, who was flattered and delighted, and when Brahms visited him, insisted on playing through the piece with the composer. In their progress through the piece, Brahms began playing very loudly, causing Gänsbacher to complain that he could not hear himself. “Lucky you,” Brahms replied to the overwhelmed amateur, and proceeded to play even louder. This music is frequently played, and Brahms
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