Julio Gómez G Gómez News
Spanish composer
- opera, zarzuela
- Spain
- composer, musicologist, music critic, librarian, music teacher
Last update
2024-04-25
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2024-04-04 10:00:00
ListN Up is a series of artist-curated playlists that offer an intimate sonic portrait of contemporary artists by showcasing the diverse.. The post appeared first on I CARE IF YOU LISTEN.
Serenade (Western Classical Music in India)
2024-03-31 18:31:05
Harmonizing Communities: Moisés Lugo and the Chennai Youth Sinfonietta
Born in Paraguaná, Venezuela, Moisés Lugo is a dedicated music educator and trumpeter. Trained in El Sistema in Paraguaná, he honed his skills under local teachers in his city before going on to perform under the batons of Simon Rattle and Gustavo Dudamel. With over a decade of experience in music education, Moisés passionately empowers children and teenagers through his teaching. Grateful for mentors like Panos Karan and Pedro Gomez Briceño, he actively contributes to charitable initiatives like Keys of […] The post appeared first on Serenade.
2024-01-24 22:08:23
Free Sunday performance at the Boulder Public Library is full By Peter Alexander Jan. 24 at 3:10 p.m. Boulder Opera’s upcoming performance of the children’s opera Xochitl and The Flowers by Chris Pratorius Gómez is sold out. That is, all of the tickets for this free performance have been claimed. One of three children’s operas […]
2022-06-16 14:30:21
[…] his other operas. The libretto is based on Pedro Calderón de la Barca’s play La Cisma de Inglaterra (The Schism in England), though Saint-Saëns and his librettists also incorporated incidents and characters from Shakespeare’s Henry VIII. The action focuses on the English king’s determination to divorce Catherine of Aragon so he could marry Anne Boleyn, and the split with the Roman church that provoked, though Calderón introduced another dramatic element with the Spanish ambassador Don Gómez de Feria’s love for Anne, and Catherine’s efforts to protect her rival from Henry’s jealousy. In many ways Catherine, who dies at the end of the opera, is more obviously the central character than the king, and she is certainly its most sympathetic figure.
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