Jörg Widmann News
German composer, conductor and clarinetist
- clarinet
- opera
- Germany
- composer, clarinetist, university teacher, conductor
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2024-04-25
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2024-04-06 11:15:00
Bizet's Carmen at Covent Garden: gritty realism & a reluctance to add any local colour & movement, redeemed by musical performances
[…] cycle proved a thrilling experience: director Dmitri Tcherniakov's production returns with conductor Philippe Jordan - opera reviewYoung Lovers: Louise Alder and Joseph Middleton in an entrancing evening at Wigmore Hall - concert reviewLush romanticism was a long way away: an immersive contemporary interpretation of Pergolesi's Stabat Mater from Figure - music theatre reviewWriting Italian-influenced music in the depths of Northamptonshire: organist William Whitehead on the music of English Baroque composer George Jeffreys - interviewTwo hundred years of music for the horn: Ben Goldscheider in Beethoven, Bowen, Widmann and Watkins - concert reviewHome
2024-04-06 08:42:00
Spell Book, Witch & Stone Fruit: composer Freya Waley-Cohen on the power of ritual and spells
[…] cycle proved a thrilling experience: director Dmitri Tcherniakov's production returns with conductor Philippe Jordan - opera reviewYoung Lovers: Louise Alder and Joseph Middleton in an entrancing evening at Wigmore Hall - concert reviewLush romanticism was a long way away: an immersive contemporary interpretation of Pergolesi's Stabat Mater from Figure - music theatre reviewWriting Italian-influenced music in the depths of Northamptonshire: organist William Whitehead on the music of English Baroque composer George Jeffreys - interviewTwo hundred years of music for the horn: Ben Goldscheider in Beethoven, Bowen, Widmann and Watkins - concert reviewQuite an achievement: North London Chorus' ambition rewarded in a performance of Smyth's The Prison that intrigued & engaged - concert reviewHome
2024-04-05 08:55:00
West Green House Opera: new artistic director Tom Elwin introduces the 2024 season
[…] cycle proved a thrilling experience: director Dmitri Tcherniakov's production returns with conductor Philippe Jordan - opera reviewYoung Lovers: Louise Alder and Joseph Middleton in an entrancing evening at Wigmore Hall - concert reviewLush romanticism was a long way away: an immersive contemporary interpretation of Pergolesi's Stabat Mater from Figure - music theatre reviewWriting Italian-influenced music in the depths of Northamptonshire: organist William Whitehead on the music of English Baroque composer George Jeffreys - interviewTwo hundred years of music for the horn: Ben Goldscheider in Beethoven, Bowen, Widmann and Watkins - concert reviewQuite an achievement: North London Chorus' ambition rewarded in a performance of Smyth's The Prison that intrigued & engaged - concert reviewFrom Early Music to contemporary: the Royal Festival Hall organ is 70 and organist James McVinnie is celebrating - interviewHome
2024-04-03 06:35:00
A wondrous snapshot of British singing: Ralph Vaughan Williams' Serenade to Music and the sixteen singers chosen for the first performance
[…] cycle proved a thrilling experience: director Dmitri Tcherniakov's production returns with conductor Philippe Jordan - opera reviewYoung Lovers: Louise Alder and Joseph Middleton in an entrancing evening at Wigmore Hall - concert reviewLush romanticism was a long way away: an immersive contemporary interpretation of Pergolesi's Stabat Mater from Figure - music theatre reviewWriting Italian-influenced music in the depths of Northamptonshire: organist William Whitehead on the music of English Baroque composer George Jeffreys - interviewTwo hundred years of music for the horn: Ben Goldscheider in Beethoven, Bowen, Widmann and Watkins - concert reviewQuite an achievement: North London Chorus' ambition rewarded in a performance of Smyth's The Prison that intrigued & engaged - concert reviewFrom Early Music to contemporary: the Royal Festival Hall organ is 70 and organist James McVinnie is celebrating - interviewAlmost an expressionist nightmare: Janáček's Jenůfa at ENO with Jennifer Davis in the title role - opera reviewHome
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