Kristin Lewis News
lyrico-spinto soprano
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- soprano
- United States of America
- opera singer
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2024-04-23
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2024-04-17 15:37:02
The American saxophonist created something personal and fresh from disparate ingredients at his London gig
2024-04-16 06:36:00
The sound of an image: recent chamber music by New York City-based, Puerto Rican-born composer Gabriel Vicéns
[…] Una Superficie Sin Rostro (2020) [08:14]5. Carnal (2019) [06:25]6. Ficción (2021) [10:24]7. La Esfera (2021) [10:32]Roberta Michel, flute [3], Raissa Fahlman, clarinet [1, 3], Joenne Dumitrascu, violin [1, 3], Adrianne Munden-Dixon, violin [2, 5], Rocío Díaz de Cossío, cello [2], Wick Simmons, cello [3], Julia Henderson, cello [7], Corinne Penner, piano [1, 3, 4], Mayumi Tsuchida, piano [2, 5], Mikael Darmanie, piano [7], John Ling, vibraphone [3], David Bloom, conductor [3] Nu Quintet [6] (Kim Lewis, flute, Michael Dwinell, oboe, Kathryn Vetter, clarinet, Tylor Thomas, bassoon, Blair Hamrick, horn)Recorded by Nolan Thies at Bunker Studio, NYC on August 2022STRADIVARIUS STR 37292 1 CD Never miss out on future posts by following usThe blog is free, but I'd be delighted if you were to show your appreciation by buying me a coffee.Elsewhere on this blogEnergy, discipline, & sheer love of music-making: National Youth Orchestra & National Youth Brass Band in Gavin Higgins - concert reviewNo boundaries or […]
2024-03-31 09:20:00
To boldly go: Daniel Pioro and the Marian Consort in music for violin and voices by Tom Coult, Nick Martin and Bach
[…] Hildegard of Bingen) and Daniel Pioro's O virtus Sapientie (after Hildegard of Bingen), plus the UK premiere of Nick Martin's Growth Rings.Tom Coult's piece took Hildegard of Bingen's vocal line and placed it on the violin, accompanying this with contemporary drones on the choir. Pioro's solo violin was very haunting and his phrasing of Hildegard's supple lines came over as remarkably Celtic in feel, as if the sibyl of the Rhine had been holidaying on Lewis. We moved from unaccompanied violin to discreet drone, the layers building up until the full vocal ensemble was involved and harmonies dissolved into something opaque. The violin's playing got more rhapsodic as Coult took Hildegard of Bingen's vocal line more into his own territory, and the harmonies intensified and we reached a climax where the vocal contribution came to the fore, placing Pioro's violin in the background, but then this receded again until Pioro was […]
2024-03-29 03:30:00
From Wikipedia The Dream of Gerontius, Op. 38, is a work for voices and orchestra in two parts compo
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