Lucien Lupi News
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2020-03-19 14:07:38
Brabant sings Hellinck and Lupi
Lupus Hellinck – Missa Surrexit pastor bonus Johannes Lupi – Motets The Brabant Ensemble; Stephen Rice, conductor Hyperion CD A68304 Lupus Hellinck (1493-1541) isn’t a household name among mid-Renaissance composers. Based on a new recording of his Missa Surrexit pastor bonus, Hellinck’s work deserves wider currency. Despite having several pieces attributed to him that were […]
2019-05-25 15:17:49
Alexandra Lange writes about the information designer Giorgia Lupi, a partner at the graphic-design firm Pentagram and the co-author of the book “Dear Data.”
The Boston Musical Intelligencer
2015-06-20 15:58:55
NH Hills Are Alive, Have Ears
[…] this point. We have some foundations to shore up and we need to develop some fresh capacity before we get too aspirational. Don’t get me wrong, we’ll stretch ourselves artistically as far as we can. We just won’t focus on the immediate reward of “now” at the expense of future years. I understand you had some special visitors recently? Jane Chu, chairman of the National Endowment for the Arts, visited our office in Peterborough; Ginnie Lupi, director of the New Hampshire State Council on the Arts, was with her. Amazingly, all three of us, the NEA, NHSCA, and Monadnock Music, are turning 50 this year. We have a long history with both of those organizations: we received our first NEA grant in 1968 and our first NHSCA grant around the same time. We were all established in that great rush of optimism that characterized so much of the 1960s. There […]
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EarlyMusicNews.org
2012-03-29 02:00:00
(IT) The 44th Early Music and Dance Course in Urbino (20-29 jul 2012)
EARLY DANCE COURSES ITALIAN DANCE OF THE LATE 16th AND EARLY 17th CENTURIES Intermediate-advanced and advanced levels Reconstruction Barbara Sparti “The courses will include balletti of Caroso, Lupi, Negri and Santucci, the Canario, Ballo finale from Carallieri's Rappresentazione di Anima e di Corpo (1600) Special attention will be given to step technique (as described in particular treatises), style and interpretation (the affects of different dances and dance types within a balletto), and musical questions.”
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