Lucius Hosmer News
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2024-04-24
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2017-04-10 19:58:00
Some of Mozart's most beautiful arias will be sung by Jonathan Stinson, baritone, and Samantha Stinson, soprano, when the Orchestra of Northern New York performs its spring concert. Mostly Mozart will be presented for two performances only: 7:30 p.m., April 22 at Hosmer Hall, SUNY Potsdam and 3 p.m., Sunday, April 23 at First Presbyterian Church, Watertown.
2015-10-23 13:44:59
Taylor Raven is radiant as Angelina, and her emotion shows through in her scenes with Max Hosmer , right, in the Eklund Opera Program's "La Cenerentola." Rossini isn't exactly uncharted ground for the University of Colorado's opera program, but his appearances are also not as frequent as Mozart or Puccini.
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CNY Café Momus
2014-01-26 19:16:40
Jan. 19 Civic Morning Musicals: Kathleen Roland and Daniel Faltus
[…] well the lesser-known (though equally impressive) Ricky Ian Gordon. Also included were three songs by German-turned-American tunesmith Kurt Weill. Among Roland’s strong points is her crisp and articulate diction, which all but obviated the need for listeners to take their eyes off the stage to consult the text, which was provided as an insert to the handsomely printed program. Intelligibility of words is particularly important in the Everson’s Hosmer Auditorium, where the live acoustics tend to muddy the clarity of melodic lines — both vocal and instrumental. Roland’s diction excelled in the non-English songs, such as Weill’s French cabaret song Youkali and the German Denn wie mann sich Bettet (from The Rise and Fall of the City of Mahogonny). And no less impressive was her intelligibility of words in the numbers performed in English — enabling Emily […]
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CNY Café Momus
2013-12-05 16:32:23
Dec. 1 Civic Morning Musicals: Sarah Crocker Vonsattel & Company
[…] CMM chose to open this season’s Sunday recital series with a chamber ensemble of Sarah’s own choosing, and the violinist opted for a piano trio that included husband-pianist Gilles Vonsattel and cellist Ani Kalayjian. The three young but already accomplished performers teamed up for a rousing program that showcased their formidable talents and ensemble savvy, forging a memorable experience that will likely resonate with the large crowd in attendance at the Everson’s Hosmer Auditorium for some time to come. Things got off to a good start with Haydn’s playful Piano Trio in A Major (Hob XV no. 18), written at the time of the composer’s final six “London” symphonies. The players took the opening Allegro moderato in the relaxed tempo Haydn had indicated, with clearly defined dotted eighth-note figures that were crisp and polished. The passing of the triplet figures […]
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