Luigi Borghi News
Italian violinist and composer (c. 1745-1806)
Commemorations 2025 (Birth: Luigi Borghi)
- violin
- England, Italy
- violinist, composer
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2024-04-24
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2023-03-02 05:00:00
Borghi: Six Duets for Violin & Viola Op. 5 (Lorenzo Gugole, Giorgio Bottiglioni)
2020-04-22 23:00:00
Arias for Anna de Amicis (Rousset, Les Talens Lyriques)
Arias for Anna de Amicis by:Nicolo Jommelli (1714-1774)Wolfgang Amadeus Mozart (1756-1791)Christoph Willibald Gluck (1714-1787)Giovanni Batista Borghi (1738-1796)Josef Myslivecek (1737-1781)Johann Christian Bach (1735-1782)Pasquale Cafaro (1716-1787)Teodora Gheorghiu, SopranoChristophe Rousset, Les Talens Lyriques (Period Instruments)Aparte AP021 (2011)[Flac & Scans]
2018-04-08 23:00:00
Semiramide La Signora Regale (Bonitatibus)
Arias from Semiramide by: Antonio Caldara, Nicola Porpora, Niccolo Jommelli, Andrea Bernasconi, Tommasa Traetta, Giovanni Paisiello, Francesco Bianchi, Giovanni Battista Borghi, Sebastiano Nasolini, Charles-Simon Catel, Giacomo Meyerbeer, Gioachino Rossini, Manuel Garcia & Georg Friedrich HandelIncluded are the downloadable bonus tracks from Christoph Willibald Gluck & Antonio SalieriAnna Bonitatibus, MezzosopranoFederico Ferri, La Stagione Armonia(Period Instruments)DHM 88725479862 (2014) Two disc set[Flac & Scans]
2015-02-15 17:16:28
Queen sized
[…] CD are both from 1765—an exquisite lament by Bernasconi and a smashing mini-concerto for voice and violin by Traetta—and demonstrate composers moving tentatively into the full classical style, while Paisiello’s 1772 “Serbo in seno” from La Semiramide in Villa could easily be mistaken for early Mozart. One feels a seismic shift at the beginning of the second CD with a sturm und drang-influenced overture to 1790’s La Vendetta di Nino by Bianchi. “Figlio diletto” from Borghi’s La morte di Semiramide ossia La vendetta di Nino which premiered the next year anticipates the cavatina-cabaletta structure as the queen struggles to comprehend how her beloved Arsace could, in reality, be her long-lost son moving from anguish in the initial slow section to fear in the spirited allegro conclusion. A long excerpt from Nasolini’s 1792 opera could easily be mistaken for a lost scena from an early Rossini opera. For the first time, […]
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