Markus Suihkonen News
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2024-04-25
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2020-04-19 10:10:31
A Life on Line: Don Giovanni, Rusalka and Easter weekend
W. A. Mozart: Don Giovanni - Markus Suihkonen, Tuomas Pursi - Finnish National Opera Last week started with Easter weekend and so much of our on-line content reflected Holy Week, starting with Adrian Butterfield, Rachel Brown and Silas Silas Wollston in the opening Sonata of Bach’s Palm Sunday Cantata 182, Himmelskönig, sei willkommen on YouTube, and the London Handel Players joining remotely for movements from Handel's La Resurrezione on YouTube. Still on YouTube, the choir of St Marylebone Parish Church gathered on-line for the Easter Hymn from Mascagni's Cavalleria Rusticana. And also in an Easter mood, Matthew Sharp contributed a baritone and cello Leonard Cohen/JeffBuckley/Johann Sebastian Bach piece on Facebook.Oxford Bach Soloists, directed by Jeremy Hamway-Bigood, with Daniel Norman (Evangelist), Roderick Williams (Christus) and the Gesualdo Six presented the first episode of St John Passion in Isolation on YouTube and fundraising for Help Musicians.Still with Bach's William Vann presented the […]
2019-08-02 18:29:00
Munich Opera Festival (3) - Agrippina, 28 July 2019
Prinzregententheater Images: Wilfried Hösl Claudio – Gianluca Buratto Agrippina – Alice Coote Nerone – Franco Fagioli Poppea – Elsa Benoît Ottone – Iestyn Davies Pallante – Andrea Mastroni Narciso – Eric Jurenas Lesbo – Markus Suihkonen Barrie Kosky (director) Rebecca Ringst (set designs) Klaus Bruns (costumes) Joachim Klein (lighting) Nikolaus Stenitzer (dramaturgy) Bavarian State Orchestra Ivor Bolton (conductor) And still they come. The opera world’s obsession with Handel’s operas shows no sign of abating. The Bavarian State Opera has, since Peter Jonas’s Intendancy, stood at the forefront of Handel staging; this new production of Agrippina was dedicated to him. As ever, I was pleased to see one of these operas for the first time in the theatre – how could I not be pleased to see almost anything in Munich’s wonderful Prinzregententheater – but again, as ever, I was left unable ever […]
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