Massimo Simeoli News
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2024-04-24
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2016-02-20 07:00:24
Classical music: Here are the Grammy winners for 2016 in classical music along with the nominations. Some have ties to Madison.
[…] Grammophon Rzewski: The People United Will Never Be Defeated! Ursula Oppens (Jerome Lowenthal). Label: Cedille Records photo BEST CLASSICAL SOLO VOCAL ALBUM Beethoven: An Die Ferne Geliebte; Haydn: English Songs; Mozart: Masonic Cantata: Mark Padmore; Kristian Bezuidenhout, accompanist. Label: Harmonia Mundi ***Joyce & Tony – Live From Wigmore Hall: Joyce DiDonato; Antonio Pappano, accompanist. Label: Erato Nessun Dorma – The Puccini Album. Jonas Kaufmann; Antonio Pappano, conductor (Kristīne Opolais, Antonio Pirozzi & Massimo Simeoli; Coro Dell’Accademia Nazionale Di Santa Cecilia; Orchestra Dell’Accademia Nazionale Di Santa Cecilia) Label: Sony Classical Rouse: Seeing; Kabir Padavali: Talise Trevigne; David Alan Miller, conductor (Orion Weiss; Albany Symphony) Label: Naxos St. Petersburg: Cecilia Bartoli; Diego Fasolis, conductor (I Barocchisti) Label: Decca BEST CLASSICAL COMPENDIUM As Dreams Fall Apart – The Golden Age Of Jewish Stage And Film Music (1925-1955): New Budapest Orpheum Society; Jim Ginsburg, producer. Label: Cedille Records […]
2016-02-08 18:03:10
[…] Will Never Be Defeated! Ursula Oppens (Jerome Lowenthal) Label: Cedille Records Best Classical Solo Vocal Album Beethoven: An Die Ferne Geliebte; Haydn: English Songs; Mozart: Masonic Cantata Mark Padmore; Kristian Bezuidenhout, accompanist Label: Harmonia Mundi Joyce & Tony – Live from Wigmore Hall Joyce DiDonato; Antonio Pappano, accompanist Label: Erato Nessun Dorma – The Puccini Album Jonas Kaufmann; Antonio Pappano, conductor (Kristīne Opolais, Antonio Pirozzi & Massimo Simeoli; Coro Dell’Accademia Nazionale Di Santa Cecilia; Orchestra Dell’Accademia Nazionale Di Santa Cecilia) Label: Sony Classical Rouse: Seeing; Kabir Padavali Talise Trevigne; David Alan Miller, conductor (Orion Weiss; Albany Symphony) Label: Naxos St. Petersburg Cecilia Bartoli; Diego Fasolis, conductor (I Barocchisti) Label: Decca Best Classical Compendium As Dreams Fall Apart – The Golden Age of Jewish Stage and Film Music (1925-1955) New Budapest Orpheum Society; Jim Ginsburg, producer […]
2015-12-11 07:00:39
[…] Deutsche Grammophon Rzewski: The People United Will Never Be Defeated! Ursula Oppens (Jerome Lowenthal). Label: Cedille Records BEST CLASSICAL SOLO VOCAL ALBUM Beethoven: An Die Ferne Geliebte; Haydn: English Songs; Mozart: Masonic Cantata: Mark Padmore; Kristian Bezuidenhout, accompanist. Label: Harmonia Mundi Joyce & Tony – Live From Wigmore Hall: Joyce DiDonato; Antonio Pappano, accompanist. Label: Erato Nessun Dorma – The Puccini Album. Jonas Kaufmann; Antonio Pappano, conductor (Kristīne Opolais, Antonio Pirozzi & Massimo Simeoli; Coro Dell’Accademia Nazionale Di Santa Cecilia; Orchestra Dell’Accademia Nazionale Di Santa Cecilia) Label: Sony Classical Rouse: Seeing; Kabir Padavali: Talise Trevigne; David Alan Miller, conductor (Orion Weiss; Albany Symphony) Label: Naxos St. Petersburg: Cecilia Bartoli; Diego Fasolis, conductor (I Barocchisti). Label: Decca BEST CLASSICAL COMPENDIUM As Dreams Fall Apart – The Golden Age Of Jewish Stage And Film Music (1925-1955): New Budapest Orpheum Society; Jim Ginsburg, producer. Label: Cedille Records Ask Your […]
2015-09-21 16:00:23
Awakenings
[…] the orchestra. Sony has lavished generous musical resources on this album. The Chorus of the Accademia Nazionale Di Santa Cecilia is brought in just to provide some crowd murmurs just before “Ch’ella mi creda” and the off-stage chorus for “Nessun dorma”. Bass Antonio Pirozzi offers Timur’s single line in “Non piangere, Liù” and the Sacristan’s lines in “Recondita armonia” (though he bows out on the final line so Kaufmann can have the spotlight). Baritone Massimo Simeoli similarly provides a single line as Jack Rance and Sharpless’s music in “Recondita armonia”. All in all, this is a most enjoyable album displaying a tenor in full command of his considerable resources. If not all of Puccini’s music suits him perfectly—he simply lacks the sweetness of tone for the lighter roles—he does his best to compensate by giving the music a full range of dynamics and utter musical and dramatic involvement. “Vincero!” indeed. […]
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