Maurici Espona News
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2012-09-28 23:46:00
[…] in BA, often with good results. It proved too big a challenge for Avellaneda´s Roma. The Orchestra (Avellaneda Symphony) couldn´t handle the score under the erratic leadership of César Tello, the Choir (of the Avellaneda Municipal Music Institute) sang passably under Armando Garrido and the cast was very uneven, from rather good (Leonardo Pastore´s Hoffmann, María Gabriela Ceaglio´s Antonia, Trinidad Goyeneche´s Nicklausse) to correct (Antonello Tramonti´s Luther and Crespel, Luciano Straguzzi´s four villains, María Soledad Espona´s Giulietta, Miriam Casanova´s Mother) to downright bad, especially the Olympia, and simply horrible (the four character tenor roles done by one "artist"); the lower categories will remain unnamed in this review. At the Roma they are always low on money and "Hoffmann" demands a big production. With the help of nice costumes (loaned, I was told, by La Plata´s Argentino) and minimalist stage designs by Ana Rodríguez Quiroga, Jorge […]
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