Max Begemann News
German opera singer
- baritone
- Germany
- opera singer
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2024-04-25
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2017-04-11 01:00:00
[…] March 1994Courtesy of member Aart[Flacs & scans]Download Carl Philipp Emanuel Bach (1714-1788) Die Auferstehung und Himmelfahrt Jesu, Wq 240 Osterkantate WQ 244 Rheinische Kantorei & Soloists Das Kleine Konzert Hermann Max - direction Label: Capriccio 10206/207 [2CD] Recorded October 1984 [Flacs & scans] Download Gottfried August Homilius (1714-1785)Ein Lämmlein geht und trägt die Schuld, Passion cantata (HoWV I.2) Monika Mauch, soprano - Bogna Bartosz, contraltoMarkus Brutscher, tenor - Hans-Christoph Begemann, bassBasler Madrigalisten & Neue Düsseldorfer HofmusikDir: Fritz NäfCarus 83.262 (© 2007) [1.33'50"]EAC rip; flacs, log, cue, scans (300dpi); 466 MBCourtesy of member Thomas CadfaelDownload Joseph Haydn (1732-1809) Die Sieben lezten Worte unseres Erlösers am Kreuze Ronald Brautigam - Fortepiano Label: BIS CD-1325 Recorded August 2002 [Flacs & scans] Download Felix Mendelssohn (1809-1847)Sacred & Secular Vocal Works Regensburger DomspatzenGeorg Ratzinger - directionLabel: Ars Musici AM 232188Recorded […]
2015-05-10 01:00:00
Salieri: Les Danaïdes
Antonio Salieri (1750-1825) Les Danaïdes (Tragédie lyrique in Five Acts-1784) Sophie Marin-Degor, Kirsten Blaise, Christoph Genz, Wofgang Frisch, Hans Christoph Begemann, Sven Jüttner, Jürgen Deppert, Daniel Sütö, Michael Hofstetter, Chor & Orchester der Ludwigsburger Schlossfestspiele (Period Instruments) Oehms Classics OC 909 (2008) 2 Discs (You can compare this to the recent release by Christoph Rousset) [Flac & Partial Scans]
2013-04-25 23:20:01
Begemann/Lucerne SO/Gaffigan (Harmonia Mundi)Wolfgang Rihm's works often emerge in family groups, with one piece serving as the starting point for a whole hierarchy of others, but the starting point for the five movements of the Nähe Ferne symphony was another composer. Rihm was commissioned by the Lucerne Symphony Orchestra to write pendants to each of Brahms's four symphonies, and after they were performed, he assembled the set into a symphony of his own, adding to the sequence an orchestration of an early song for baritone based on a Goethe poem also set by Brahms. The subtitle, Nähe Fern ("distant closeness"), exactly describes the feel of the orchestral movements, which never quote directly from the Brahms symphonies but seem constantly haunted by them – in their harmonic tints and textures, and in the melodic shapes that wander elusively through them. The relationship becomes clearer as the work goes on – allusions […]
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