Max Jentsch News
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2012-12-16 16:39:00
Terfel steals show - Zurich Der Fliegende Holländer London
[…] to opera than voice alone. More intriguing was Liliana Nitikieanu, whose lusciously warm timbre suggested a Mary with a lot more personality than Senta, possibly even more sensual, but less given to Senta's anguish. . Matti Salminnen is a force of nature, always fascinating even when his voice shows strain. He didn't seem well, clinging to the podium, but he still created a convincing Daland. I'd been looking forward to hearing Marco Jentsch's Erk, because he was a very promising Walter in Glyndebournes's 2011 Meistersinger(more here), but he pulled out, replaced in London by Martin Homrich. Homrich was adequate, if dry, suited to more conventional performances than this one, dominated as it was by Terfel's unusually fine characterization. Fabio Trümpy as the Steuermann, was a discovery. He's a Zürich local boy, and sings in the Ensemble there. His clear, bright voice was another revelation of the evening […]
2012-11-05 20:03:35
Sachs appeal
[…] cartoonish version of the role in favor of a sly caricature, with plenty of voice as well. As the lovers German soprano Anna Gabler provides an attractive lyric approach and is also a real looker, one can easily imagine all the attention Eva gets. There also seems to be real sexual tension between Eva and Sachs in this production, a geniune love triangle, which is not always the case. Her Walther, Marco Jentsch is less successful. Perhaps roles like Nemorino or the Duke of Mantua would be a better fit for his a lyric tenor voice lacking in Wagnerian heft.He has an endearing boyishness about him but lacks the nobility inherent in a knight. Michaela Selinger as Magdalene and Alistair Miles as Pogner fill out the cast nicely. Conductor Vladimir Jurowski leads an excellent London Philharmonic and the Glydenbourne Chorus is in fine fettle. Overall, the production […]
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