Nicolas Champion News
France-Flemish composer
- Prince-Bishopric of Liège
- composer
Last update
2024-04-24
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2024-04-20 08:34:00
A day at Leeds Lieder Festival: Fauré, Boulanger, Mahler and more
Gabriel Fauré by John Singer Sargent, 1889Lecture recital: Gabriel Fauré and his mélodies; Graham Johnson, Sarah Fox, Florian Störtz; Leeds Lieder Festival at The Venue, Leeds ConservatoireGabriel Fauré, Lili Boulanger, Mahler, Roger Quilter, Muriel Herbert; James Gilchrist, Anna Tilbrook; Leeds Lieder Festival at The Venue, Leeds ConservatoireReviewed 18 April 2024A day of French song with a focus on Fauré, with Graham Johnson making us love the composer's late period, and James Gilchrist in fine form, from elegant Fauré to perfumed Boulanger, Mahler in comic mode and Roger Quilter with his heart on his sleeveThursday 18 April was A Day of French Song at Leeds Lieder Festival. In the morning the festival's Young Artists had a public masterclass with soprano Dame Felicity Lott concentrating on French repertoire, then at lunchtime pianist Graham Johnson was joined by soprano Sarah Fox and baritone Florian Störtz for a lecture recital on Gabriel Fauré and his mélodies, and Johnson went on […]
2024-03-31 09:20:00
To boldly go: Daniel Pioro and the Marian Consort in music for violin and voices by Tom Coult, Nick Martin and Bach
Daniel PioroTom Coult, Daniel Pioro, Nick Martin, Bach; Daniel Pioro, the Marian Consort; Wigmore HallReviewed 28 March 2024 (Maundy Thursday)A wonderfully thought-provoking evening of music for violin and voices from three contemporary works to a speculative version of Bach's great ChaconneUnder the title, Divine Revolutions: Revolving around God: Circular music and the Divine, violinist Daniel Pioro's recital at Wigmore Hall on Thursday 28 March 2024 was something a little bit different. Daniel Pioro's violin was a joined by the voices of The Marian Consort (artistic director Rory McCleery) for a programme exploring music for violin and vocal ensemble. The climax of the programme was Bach's Partita no. 2 in D minor for solo violin, BWV1004 with the 'Chaconne' including accompanying chorales based on the work of musicologist Helga Thoene. The first half featured three contemporary works, the premieres of Tom Coult's O ecclesia oculi tui (after Hildegard of Bingen) and […]
2024-03-28 07:26:00
Without a shadow of doubt, a brilliant programme all round: Sibelius, Prokofiev & Saariaho in Berlin with Jan Lisiecki, Deutsches Symphonie-Orchester Berlin & Tarmo Peltokoski
Jan Lisiecki (Photo: Christoph Köstlin/Deutsche Grammophon)Kaija Saariaho: Ciel d’hiver (Winter sky), Prokofiev: Piano Concerto No.2 in G minor, Sibelius: Lemminkäinen Suite; Jan Lisiecki, Deutsches Symphonie-Orchester Berlin, cond. Tarmo Peltokoski; Philharmonie, BerlinReviewed by Tony Cooper, 23 March 2024Helsinki-born composer, Kaija Anneli Saariaho’s Ciel d’hiver made a great contribution to Deutsches Symphonie-Orchester’s concert at the Philharmonie, BerlinWhilst taking a break from Dmitri Tcherniakov’s Ring cycle at Staatsoper Berlin [see Tony's review], I took in a concert by Deutsches Symphonie-Orchester Berlin, conductor Tarmo Peltokoski, at the Philharmonie in a well-planned programme comprising Prokofiev’s Piano Concerto No.2 in G minor with soloist Jan Lisiecki, Sibelius’ Lemminkäinen Suite and a piece by the Helsinki-born composer, Kaija Saariaho, entitled Ciel d’hiver (Winter sky). In fact, the concert opened with Ciel d’hiver. And being not too familiar with Saariaho’s music, I soon discovered that she was a prolific and futuristic writer who penned a trio of […]
2024-03-23 12:00:21
Classical home listening: Elisabeth Lutyens Piano Works; Tchaikovsky and Korngold string sextets and more
Martin Jones makes a persuasive case for an unfashionable British composer; Antonio Oyarzabal continues to Champion forgotten female composers; and the Nash Ensemble hit 60 in style• One of a kind, the composer Elisabeth Lutyens (1906-83) eludes fashion for several reasons. So many aspects of her life now look dated: she was a British aristocrat (daughter of the architect Sir Edwin Lutyens) who moved in elite social circles, cared little about the opinions of others, embraced European modernism ahead of her time, smoked and drank heavily and had a reputation for being fierce musically, and verbally prickly to lesser mortals. Her
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