Ophélie Gaillard News
French musician
Anniversaries 1974 Anniversaries (Birth: Ophélie Gaillard)
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2024-03-19
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2023-09-22 23:00:00
The Bach Family [12 CDs]
These CD's of the Bach Family are from the shelfs of member Thomas Cadfael and myself.Johann Sebastian Bach (1685-1750)Arias with piccolo celloSandrine Piau, soprano; Christophe Dumaux, alto; Emiliano Gonzalez Toro, tenorPulcinella - Ophélie Gaillard, piccolo celloRecorded: 2012Label: Aparté AP045Download 1fichier gofile workuploadJohann Bernhard Bach (1676-1749)OverturesEnsemble L'AchéronFrancois Joubert-Caillet - directionRecorded March 2016Label: Ricercar RIC 373Download 1fichier pixel workuploadJohann Sebastian Bach (1685-1750)Ruhm und Glück - Birthday Cantatas BWV 36a & 66aGudrun Sidonie Otto, soprano; Wiebke Lehmkuhl, contralto;Hans Jörg Mammel, tenor; Carsten Krüger, bassMitteldeutsche Hofmusik - Alexander GrychtolikRecorded: 2012Label: Rondeau ROP6058Download 1fichier gofile workuploadJohann Sebastian Bach (1685-1750)Wo soll ich fliehen hinTranscriptions for Viol TrioCellini ConsortRecorded: October 2017Label: Ramee RAM 1911Download 1fichier pixel workuploadJohann Sebastian Bach (1685-1750)Flute sonatas BWV 1030, 1034 & 1035; Partita BWV 1013Linde Brunmayr-Tutz, transverse flute;Lars Ulrik Mortensen, harpsichordRecorded: 2005Bonus: Brandenburg Concerto No. 6Nikolaus Harnoncourt, Gustav Leonhardt, viola da gamba et alRecorded: 1950Label: fra bernardo fb 2211700Download 1fichier gofile workuploadJohann Sebastian Bach […]
2023-07-01 09:35:00
Temple ChurchByrd: Pavan and Gaillard; Fantasy in 6 parts; Three Fantasies in 3 parts; Fantasy in four parts; Five-Part Pavan; Browning; Two In Nomines in 5 parts Weelkes: In Nomine in 5 parts Byrd: Prelude and Ground; Fantasy: two parts in one the fourth above Weelkes: Fantasy in six parts Byrd: Fantasy in six parts Temple Music’s William Byrd Festival continued with music for viol consort: mostly Byrd, but with a couple of pieces by Thomas Weelkes. The twin variety and unity of Byrd’s contributions was striking, in some cases gradually permitting the emergence of older themes, whether from folk music or, in the case of the In nomines, a cantus firmus from John Taverner’s Missa gloria tibi trinitas. A programme equally well constructed and well performed, with subtle yet undeniable mastery, offered a restorative lunchtime hour in the heart of legal London. A pair of dances, a Pavan […]
2022-01-13 06:24:00
[…] release that would serve as a fine introduction to the piano music of the amazing Johannes Brahms both the younger and the elder.Vers Le Silence. Chopin: Polonaise in C minor, Op 40 No. 2; Bolcom: Twelve New Etudes for Piano, Book I - No. 1. Fast, furious | No. 2. Récitatif | No. 3. Mirrors; Chopin: Mazurka in C Major, Op. 68 No. 1; Mazurka in G minor, Op. 67 No. 2; Mazurka in A minor, “Emile Gaillard”; Bolcom: Twelve New Etudes for Piano Book II - No. 4. Scène d’opéra | No. 5. Butterflies, hummingbirds | Nocturne; Chopin: Waltz in B minor, Op. 69 No. 2; Waltz in A-flat Major, Op. 42; Bolcom: Twelve New Etudes for Piano, Book III - No. 7. Premonitions | No. 8. Rag infernal (Syncopes apocalyptiques) | No. 9. Invention; Chopin: Polonaise in A-flat Major, Op. 53; Bolcom: Twelve New Etudes for Piano, Book IV - […]
2021-05-28 09:43:00
Waterloo Festival (1): Hewitt - Couperin and Brahms, 27 May 2021
St John’s, WaterlooCouperin: Pièces de clavecin, Book III: 18e OrdreBrahms: Piano Sonata no.3 in F minor, op.5 Angela Hewitt (piano) Images: Ilme Vysniauskaite Taking as its theme the fifteenth-century English word, ‘respair’, the recovery of hope following a period of despair, the 2021 Waterloo Festival offers much of that desperately sought-after quality, not least the return of Anthony Friend’s Spotlight Chamber Concerts series, so cruelly cut short last December. Twice postponed, a recital by Angela Hewitt, originally conceived as a farewell to Beethoven Year (‘Geh, Hoffnung’) now offered music by Couperin and Brahms to a socially distanced audience of about 150 people. That in itself surely offered grounds for respair. To the uninitiated, Couperin and Brahms might seem a strange combination. Brahms was of course a crucial figure in nineteenth-century revival of early music. He knew Bach’s cantatas intimately; it would be difficult to […]
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