Peter Lagger News
Swiss singer and opera singer
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2024-03-26
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2016-12-31 01:00:00
[…] Polgár, Hungarian Radio and Television Chorus Hungarian State Orchestra Antal Doráti Hungaroton HCD 12831-33 (2001). Recorded 1986 [flac, cue, log, scans] Richard Strauss (1864-1949) Deutsche Motette op. 62 Traumlicht op. 123 no. 2 Zwei Gesänge op. 134: Der Abend, Hymne Latvian Radio Choir, Accentus Laurence Equilbey Naïve V5194 (2009) [flac, cue, log, scans] Anton Bruckner (1824-1896) Te Deum Psalm 150 10 Motets* Maria Stader, Sieglinede Wagner, Ernst Haefliger, Peter Lagger Chor der Deutschen Oper Berlin Berliner Philharmoniker *Chor des Bayerischen Rundfunks Eugen Jochum Deutsche Grammophon 457 743-2 (1999). Recorded 1966-1971 [flac, cue, log, scans] Anton Bruckner (1824-1896) The three Masses (No. 1) Edith Mathis, Marga Schiml, Wiesław Ochman, Karl Ridderbusch (No. 3) Maria, Stader Claudia Hellmann, Erns Haefliger, Kim Borg Chor und Symphonieorchester des Bayerischen Rundfunks Eugen Jochum Deutsche Grammophon 447 409-2 (1995). Recorded 1962-1972 [flac, cue, log, scans]
2016-03-21 14:00:38
Sie ist ein Ungeheuer, deine Tochter
Of the five performances of Salome starring Leonie Rysanek currently in the Leitmetzerin Sammlung, each one more demented than the last, the focus in this 1974 performance from Orange is (mostly) on the Herodes of Jon Vickers, a role I believe he sang only in this run of performances and never again. Having played brother and sister in Die Walküre, they here tackle the dynamics between stepdaughter and stepfather with even greater intensity. The superb cast features Thomas Stewart at the height of his career as Jochanaan, and the Herodias of Ruth Hesse. Richard Strauss: Salome Orchestre National de l’ORTF Rudolf Kempe, conductor Chorégies d’Orange 13 July 1974 Salome – Leonie Rysanek Jochanaan – Thomas Stewart Herodes – Jon Vickers Herodias – Ruth Hesse Narraboth – Horst R. Laubenthal Ein Page – Marga Schiml Erster Nazarener – Peter Lagger Zweiter […]
2015-07-11 03:00:00
Wagner's Most Human Word: Die Meistersinger
[…] closing by Sachs, whose wholehearted peroration in praise of the glorious Art of the Land has often been ignorantly mistaken for a claim of supremacy... Richard Wagner Die Meistersinger von Nürnberg Bernd Weikl, Ben Heppner, Cheryl Studer,Kurt Moll, Deon van der Walt, Cornelia Kallisch,Siegfried Lorenz, Hans-Joachim Ketelsen, René PapeChor und Orchester des Bayerischen StaatsoperWolfgang SawallischEMI 7243 5 55142 2 (1990) Richard Wagner Die Meistersinger von Nürnberg Dietrich Fischer-Dieskau, Plácido Domingo, Catarina Ligendza,Peter Lagger, Horst R. Laubenthal, Christa Ludwig,Roland Hermann, Gerd Feldhoff, Victor von HalemChor und Orchester des Deutschen Oper BerlinEugen JochumDGG 415 278-2 (1976)Richard Wagner Die Meistersinger von Nürnberg Robert Holl, Peter Seiffert, Emily Magee,Matthias Hölle, Endrik Wottrich, Birgitta Svendén, Andreas Schmidt, Hans-Joachim Ketelsen, Kwangchoul YounChor und Orchester der Bayreuther FestspieleDaniel BarenboimTeldec 3984-29333-2 (1999)Richard Wagner Die Meistersinger von Nürnberg José van Dam, Ben Heppner, Karita Mattila,René Pape, Herbert Lippert, Iris Vermillion, Alan Opie, Albert Dohmen, […]
2013-02-02 07:00:34
Classical music: From industry Lagger to industry leader: Hong Kong-based Naxos Records marks 25 years in business with impressive success and public access.
By Jacob Stockinger The Ear remembers when the major record labels laughed and snickered at Naxos Records when it first began as a small independent budget label, much like Nonesuch and Turnabout recordings used to be for vinyl LPs . The Hong Kong -based company used mostly unknown artists, recorded them cheaply, used decidedly unglamorous CD covers to market new releases, and then sold the recordings at a low retail price for mass marketing appeal. But the major labels – what remains them today,anyway — aren’t laughing any more. That is because, thanks to the business and artistic acumen of the 76-year-old founder and head Klaus Heymann (below, surrounded by CDs and awards), Naxos has — after 25 years — become a full-fledged success with a high level of performers, performances and sound engineering as well as repertoire. In fact, it has more than its share […]
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