Richard Bauer News
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2024-03-29
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2024-03-28 15:57:00
Die Frau ohne Schatten, Semperoper Dresden, 27 March 2024
Evelyn Herlitzius (Die Amme), Miina-Liisa Värelä (Baraks Frau), Komparserie; all images © Semperoper Dresden/Ludwig OlahEmperor – Eric Cutler Empress – Camilla Nylund Nurse – Evelyn Herlitzius Spirit-Messenger – Andreas Bauer Kanabas Barak – Oleksandr Pushniak Dyer’s Wife – Mina-Liisa Värelä Apparition of Youth – Martin Mitterrutzner Voice of the Falcon – Lea-ann Dunbar Voice from Above – Christa Mayer Guardian of the Threshold of the Temple – Nikola Hillebrand The One-Eyed – Rafael Fingerlos The One-Armed – Tilmann Rönnebeck The Hunchback – Tansel Akzeyebek Children’s Voices – Nikola Hillebrand, Sofia Savenko, Lea-ann Dunbar, Stephanie Atanasov, Dominika Škrabalová, Michal Doron Servants – Bryndis Gudjonsdottir, Sofia Savenko, Dominika ŠkrabalováDirector – David BöschSet designs – Patrick BannwartCostumes – Moana StembergerLighting – Fabio AntociVideo – Falko Herold, Patrick BannwartDramaturgy – Johann Casimir EuleChildren’s Chorus (director: Claudia Sebastian-Bertsch) of the Semperoper Dresden Chorus (director: André Kellinghaus) of the Semperoper DresdenSächsische Staatskapelle DresdenChristian Thielemann (conductor) Dresden […]
2023-07-21 08:38:00
Munich Opera Festival (2) - Semele, 18 July 2023
PrinzregententheaterSemele – Brenda RaeJupiter – Michael SpyresApollo – Jonas HackerAthamas – Jakub Józef OrlińskiJuno – Emily D’AngeloIno – Nadezhda KaryazinaIris – Jessica NilesCadmus, Somnus – Philippe SlyHigh Priest – Milan SiljanovClaus Guth (director) Michael Levine (designs) Gesine Völlm (costumes) Michael Bauer (lighting) rocafilm (video) Ramses Sigl (choreography) Yvonne GeBauer, Christopher Warmuth (dramaturgy) Bavarian State Orchestra LauschWerk (chorus director: Sonja Lachenmayr) Gianluca Capuano (conductor) Images: Monika Rittershaus I was sceptical, I admit, for the first two acts of Claus Guth’s new production of Semele, but it came together and offered an anthropological and psychoanalytical interpretation of Handel’s opera such as I have not encountered before. It is not really my way of thinking, but that is neither here nor there. And what I had initially seen as a disappointingly ‘stylish’ (that is, stylish, but not much more) production, rather in the manner of Christof Loy, albeit with suggestions of something closer […]
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- timeline: Lyrical singers (South America).
- Indexes (by alphabetical order): B...