Romain Bussine News
French opera singer
- baritone
- France
- poet, voice teacher, opera singer, musicologist, music teacher, composer
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2024-04-24
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2015-09-25 09:00:26
25/9
[…] recitals did continue, but the music performed was largely restricted to works by acknowledged masters, with Beethoven, Mozart and Haydn chief among them. It was Saint-Saëns in the 1860s who did a lot to revive the composition and performance of new chamber music by French composers, including his own Piano Quintet, Op. 14 (8.572904 ) dating from 1860 and his first Piano Trio, Op. 18 (8.550935 ) completed in 1865. In 1871, together with Romain Bussine, professor at the Paris Conservatoire, Saint-Saëns teamed up with Fauré, Guiraud, Franck and Duparc to form the Société Nationale de Musique. This provided the platform for a renaissance of French music, not least chamber music. Back to Boëllmann. He wrote his Piano Quartet Op. 10 around 1890 and it follows the classical four-movement design. It’s rhapsodic, joyful music from start to finish, ending with a cheeky glint in the eye that can be heard […]
2015-08-07 20:08:00
La prochaine grande mélodie - La mélodie préférée de Claude Gingras
Notre sondage "La prochaine grande mélodie" se poursuit. Un critique de musique pour La Presse, Claude Gingras nous partage son choix ci-dessous. Votez au www.nextgreatartsong.com! Claude Gingras, La Presse English translation follows. 1. Après un rêve – Fauré Pour moi, une mélodie, c'est d'abord ce quelque chose d'indéfinissable qui vous trotte dans la tête dans les moments les plus inattendus. À cet égard, le premier sujet qui me vient à l'esprit est « Après un rêve » de Fauré, et ce pour au moins deux bonnes raisons. En même temps que s'installe la mélodie en valeurs longues, j'entends le texte de Romain Bussine, contemporain de Fauré et lui-même chanteur, et j'entends le violoncelle, cet instrument hautement lyrique qui a inspiré la célèbre transcription que l'on sait. Text: Dans un sommeil que charmait ton image Je rêvais le bonheur, ardent mirage, Tes yeux étaient […]
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