Roy Spaulding Stoughton News
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2024-04-24
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2023-06-29 17:59:40
2019-08-15 05:00:03
Classical music: On Saturday and Sunday, the Madison Savoyards and Central Wisconsin Ballet Academy team up in Gilbert and Sullivan’s “Pineapple Poll” ballet and “Trial by Jury” operetta. Plus, the first Stoughton Chamber Music Festival starts on Saturday
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2017-10-20 08:59:00
Opera North's 'Little Greats'
[…] on it – for some reason, the scorned Santuzza’s former lover Turiddù (who is ultimately to die for his seduction of Alfio’s wife, Lola) climbs on to it with arms outstretched like a crucifix at one point, though I couldn’t see why. The great virtue of this offering is that it has the same two outstanding women principals as does Osud: Giselle Allen is Santuzza, and Rosalind Plowright is Lucia (Turiddù’s mother). Turiddù is Jonathan Stoughton, a young British tenor with a big voice making his only contribution to The Little Greats with this role, and Phillip Rhodes is a highly convincing Alfio – we see him as a decent bloke and possessor of the only decent little car in town, driven to vengeful murder as he realizes his marriage is utterly adulterated.Annabel Arden directs L’Enfant et les Sortilèges in a manner that, like her other best work for Opera […]
2017-10-20 08:59:00
Opera North's 'Little Greats'
[…] on it – for some reason, the scorned Santuzza’s former lover Turiddù (who is ultimately to die for his seduction of Alfio’s wife, Lola) climbs on to it with arms outstretched like a crucifix at one point, though I couldn’t see why. The great virtue of this offering is that it has the same two outstanding women principals as does Osud: Giselle Allen is Santuzza, and Rosalind Plowright is Lucia (Turiddù’s mother). Turiddù is Jonathan Stoughton, a young British tenor with a big voice making his only contribution to The Little Greats with this role, and Phillip Rhodes is a highly convincing Alfio – we see him as a decent bloke and possessor of the only decent little car in town, driven to vengeful murder as he realizes his marriage is utterly adulterated.Annabel Arden directs L’Enfant et les Sortilèges in a manner that, like her other best work for Opera […]
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