Scott Harper News
American composer
- bass, saxophone
- pop music, contemporary classical music
- United States of America
- composer, film score composer, musician, orchestrator, conductor, instrumentalist
Last update
2024-03-29
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2024-03-21 04:00:00
Decca Eloquence 6
[…] LisztPiano Concerto No. 1Piano Concerto No. 2Danse MacabreFantaisie sur des thèmes populaires hongroisFrance Clidat pianoOrchestre de la Résidence de la HayeRoger NorringtonBach rewriteConcerto for Two Keyboards in C minor BWV1062Keyboard Concerto No. 2 in E major, BWV1053Keyboard Concerto No. 5 in F minor, BWV1056Piotr Orzechowski & Marcin Masecki electric pianoCapella CracoviensisJan Tomasz AdamusErnest Ansermet CollectionVol. 1 & 2BrittenLes IlluminationsSusan Danco sopranoWar RequiemHeather Harper sopranoPeter Pears tenorThomas Hemsley baritoneBerg Sieben Fruhe Lieder Chloé Owen sopranoLive recordings 1953, 1959 & 1967Vol. 3BeethovenPiano Concerto No. 5Symphony No. 5Rudolf Serkin pianoLive recording 27th April, 1966Vol. 4DutilleuxSymphony No. 1MartinuSymphony No. 4Live recordings 1952 & 1967Vol. 5MagnardSymphony No. 3D´IndySymphonie "Cevenole"Robert Casadesus pianoRecorded 1955 & 1968
2023-04-27 08:01:32
2023-04-18 02:47:09
It may have been lunchtime, but Winard Harper and Jeli Posse conjured up a hot, crowded Jersey City jazz joint atmosphere at St. Paul’s Chapel downtown earlier today. One of the most evocative, erudite, extrovert drummers around for more than a quarter century thought aloud about how to bottle that energy into a single hour, […]
2022-12-18 18:14:00
Goerne/Ólafsson - Schubert, Schumann, and Brahms, 9 December 2022
[…] were two performances infinitely responsive to one another, with all the resulting subtleties that engenders, but also the unmistakeable directness of purpose. A robbed moment in time, a dynamic inflection spoke volumes—because it was acted on, part of a whole for both musicians and indeed for the audience too. Piano melodies, in whichever voice, in Der Winterabend had the magic of a Schubert impromptu: infinitely touching, and pregnant of so much poetic promise. The three Harper’s Songs from Wilhelm Meister proved in turn ardent, sorrowful and angry, and something close to chamber music with words, line in both parts supremely well judged. And line, if anything, proved still more the guiding thread to Brahms’s Four Serious Songs, here sounding as if Schubert and Bach had joined together to prepare a path new, yet old: which, in a way, is very much what they had. (Not to forget Schumann either.) The […]
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