Seong-Jin Cho News
South Korean classical pianist
Anniversaries 1994 Anniversaries (Birth: Seong-Jin Cho)
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2024-03-19
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The Boston Musical Intelligencer
2024-02-27 22:55:11
[…] that not only are classical music audiences often older, but they are also, in large numbers, not returning to the concert hall after Covid. The BSO’s attendance tells a similar story of recovery from Covid; while not providing 2019 data, they have seen a 45% rebound in attendance from 2021 to 2023. Concerts with big-name soloists tend to sell very well, with recent full houses for established stars like Yo-Yo Ma, Hilary Hahn, and Seong-Jin Cho, and emerging performers like Yunchan Lim, who sold out four houses at Symphony Hall this month. The audience is getting younger, lowering to an average age of 50.5—6% below 2019 pre-covid numbers. Orchestras in the U.S. fall into two tiers: “The Big Five” (Chicago, Boston, Cleveland, Philadelphia, and New York) and everyone else. The “everyone else” orchestras are scrappier, with part-time staff and players who usually teach at nearby colleges and have other performance […]
2024-02-13 16:45:26
VC Artist Brannon Cho and Sydney Lee to Join McDuffie Center for Strings Faculty
[…] The post appeared first on World's Leading Classical Music Platform.
South Florida Classical Review
2024-02-03 17:15:43
The concluding concert of the Cleveland Orchestra’s annual Miami residency at […]
2024-01-23 03:25:00
Dalia Stasevska at SFS
Dalia StasevskaPhoto by Veikko Kähkönen, courtesy of San Francisco SymphonyDalia Stasevska took over last week's SFS program, one of two that Michael Tilson withdrew from. (Esa-Pekka Salonen conducts the other, which is in a couple of weeks.) I was extremely enthusiastic about her, and like pianist Seong-Jin Cho a lot. Reviews:Joshua Kosman, SF Chronicle. Total agreement about looking forward to hearing how many strings she has in her bow. Lisa Hirsch, SFCV. I really should have mentioned that this was also the third recent go-round for the Beethoven: Yefim Bronfman with Salonen season before last (I think) on the program with the Kongsberg Variations and Bruce Liu, subbing for Hillary Hahn on Rafael Payare's program last year. Liu played it like late Mozart, a defensible approach; Bronfman with great depth and profundity, looking forward.DB at Kalimac's corner
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