Sergey Kuznetsov News
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2024-04-24
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2020-08-23 15:54:38
For the first time today, I listened to Oxana Shevchenko play the Sonata Op. 31 #3 by Beethoven. I was delighted and impressed with her abilities, and her sensitive perfomance. Oxana Shevchenko graduated from the Tchaikovsky Moscow State Conservatory, where she studied piano with Professor Elena Kuznetsova and her assistant Sergey Kuznetsov. Later she completed her Master studies at the Royal College of Music in London, with Professor Dmitry Alexeev and at the Haute École de Musique de Lausanne, with Professor Jean-Francois Antonioli. Oxana is currently studying with Professor Benedetto Lupo at the Accademia Nazionale di Santa Cecilia in Rome. I invite
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Clairvoyant Classical Music
2020-02-10 14:13:27
Beethoven – Für Elise (1822 version) | Sergey Kuznetsov, Piano
2018-11-22 20:03:48
Soviet Violin Virtuoso Oleg Kagan Born On This Day in 1946 [ON-THIS-DAY]
Soviet violin virtuoso Oleg Kagan was born on this day in 1946. A student of Boris Kuznetsov and David Oistrakh, he is a former major prize winner at the Sibelius, Enescu and Tchaikovsky International Violin Competitions. He tragically passed away from cancer in 1990 following a concert in Bavaria – aged just 43. OLEG […] The post appeared first on The World's Leading Classical Music News Source. Est 2009..
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Royal Opera House
2016-11-24 17:50:52
Painting with music: How Tchaikovsky used the orchestra to create unrivalled ballet scores
Pyotr Ilyich Tchaikovsky, 1893. By Nikolai Kuznetsov The instruments of an orchestra are like the paints on an artist’s palette: which colours are chosen and how they are combined is vital to the mood and character of the finished work. The drama of the stories and the characters that inhabit them in Tchaikovsky ’s ballets The Nutcracker and The Sleeping Beauty are ideal for description through instrumental colour as much as through harmony, rhythm and melody. And Tchaikovsky’s use of orchestral ‘colours’ plays a big part in making these scores so exciting and engaging. The Arabian Dance in The Nutcracker is a perfect example of how instrumentation makes musical ideas clear. Its Orientalist fantasy is conjured up through several elements that each have their own tonal quality. A repeating, rhythmic bass begins with low strings of cellos and violas, later with muted double basses. A first melody twists its […]
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