Shigeru Kan-no News
Japanese composer and conductor
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2024-03-29
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2015-06-25 02:05:21
[…] of Haruhi Suzumiya Remix) Santana – Into The Night Eagle Eye Cherry – Save Tonight Donna Summer – MacArthur Park (Suite) Cynthia Harrell – I Am The Wind (Castlevania: Symphony of the Night OST) Mel Torme – Stardust Yu Yu Hakusho OST – The Homework Never Ends (Ending 1) Noel Gallagher – Wonderwall (The Dreams We Have As Children) Queen – Under Pressure (Wembley ’86) Yoko Kanno/The Seatbelts – Gotta Knock A Little Harder
2013-02-23 05:37:23
Today on E. Leventine’s Yoko Kanno profile week, we will be focusing on some of her more classically written pieces. You know, with the orchestras and the grand pianos and the opera singers and what what. Here goes. The first track was written for the 2007 anime series Darker Than Black . To me it seems to be written d’apres Debussy, but I can’t find any sources to back that up. Confession time, guys. I used to listen to this in the dark, in my room, and pretend I had been broken up with. That’s right. I pretended I got dumped for fun or something. Do we have any therapists following this blog? Anyway, enjoy this piano piece as I did. It’s the perfect thing for when you want to really enjoy that melancholy mood you’re in. Darker Than Black- Yin No Piano Next song is from Vision of […]
Tom Service on classical music
2012-09-10 17:47:59
[…] and teaches). It's in performance that the open-ended and endlessly fascinating answers are disclosed: philosophical solutions that pile musical riddle on to musical riddle to push at the existential limits of what a musical work might be. Ferneyhough holds no compositorial guillotine of musical perfection over the heads of his performers. Asking any of the musicians who regularly commission and play his pieces – the Arditti Quartet, say, or pianist Nicolas Hodges, or violinist Mieko Kanno, or cellist Neil Hyde – to perform them perfectly, according to the precise letter, dot, and micro-indication of his scores, is not Ferneyhough's abiding aim. You see, the desire to put all that information on the page is really the start of a dialogue, with the possibilities of what the performer is going to do with the piece and with what the listeners will hear. Even more fundamentally, the notation is a sort of […]
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