Simon Bode News
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2024-03-29
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2022-06-24 08:39:00
Closeness & distance: Friedrich Cerha's evocation of Viennese traditional music in a new version for Viennese Schrammel quartet
[…] the National Opera Studio in Sondheim: Before & After - opera reviewVivid & vibrant: Poul Ruders' Harpsichord Concerto from Mahan Esfahani, Aarhus Symphony Orchestra, Leif Segestam - record reviewYoung Artists performance of Tchaikovsky's Eugene Onegin at Opera Holland Park - opera reviewOn a highly concentrated scale: Verdi's Macbeth at The Grange Festival - opera reviewBaroque mind games: Handel's Tamerlano at The Grange Festival - opera reviewViolinist Midori Komachi has not only recorded Vaughan Williams' Violin Sonata but is planning performances of the composer's music in Japan - interviewA romantic woodland walk with Igor Levit and Simon Bode at Wigmore Hall - concert reviewHome
2022-06-23 06:28:09
Never such innocence: Benjamin Hewat-Craw & Yuhao Guo in RVW, Butterworth & Gurney
[…] the National Opera Studio in Sondheim: Before & After - opera reviewVivid & vibrant: Poul Ruders' Harpsichord Concerto from Mahan Esfahani, Aarhus Symphony Orchestra, Leif Segestam - record reviewYoung Artists performance of Tchaikovsky's Eugene Onegin at Opera Holland Park - opera reviewOn a highly concentrated scale: Verdi's Macbeth at The Grange Festival - opera reviewBaroque mind games: Handel's Tamerlano at The Grange Festival - opera reviewViolinist Midori Komachi has not only recorded Vaughan Williams' Violin Sonata but is planning performances of the composer's music in Japan - interviewA romantic woodland walk with Igor Levit and Simon Bode at Wigmore Hall - concert reviewi berzs, i smilgas... (and a birch and grasses...) - Latvian song across the generations from Emils Melngailis & Kristaps Petersons - record reviewHome
2022-06-22 06:42:44
The Lost Art of Frances Cole: recordings from the 1970s provide a glimpse of the art of the Black American harpsichordist
[…] the National Opera Studio in Sondheim: Before & After - opera reviewVivid & vibrant: Poul Ruders' Harpsichord Concerto from Mahan Esfahani, Aarhus Symphony Orchestra, Leif Segestam - record reviewYoung Artists performance of Tchaikovsky's Eugene Onegin at Opera Holland Park - opera reviewOn a highly concentrated scale: Verdi's Macbeth at The Grange Festival - opera reviewBaroque mind games: Handel's Tamerlano at The Grange Festival - opera reviewViolinist Midori Komachi has not only recorded Vaughan Williams' Violin Sonata but is planning performances of the composer's music in Japan - interviewA romantic woodland walk with Igor Levit and Simon Bode at Wigmore Hall - concert reviewi berzs, i smilgas... (and a birch and grasses...) - Latvian song across the generations from Emils Melngailis & Kristaps Petersons - record reviewPrecious Things: a lovely survey of Bernard Hughes' recent choral music from Epiphoni Consort on Delphian - record reviewHome
2022-06-21 06:35:53
Giving voice to unconventional instruments: the Lawrence Graduate Bayreuth Tuben Quintet
[…] the National Opera Studio in Sondheim: Before & After - opera reviewVivid & vibrant: Poul Ruders' Harpsichord Concerto from Mahan Esfahani, Aarhus Symphony Orchestra, Leif Segestam - record reviewYoung Artists performance of Tchaikovsky's Eugene Onegin at Opera Holland Park - opera reviewOn a highly concentrated scale: Verdi's Macbeth at The Grange Festival - opera reviewBaroque mind games: Handel's Tamerlano at The Grange Festival - opera reviewViolinist Midori Komachi has not only recorded Vaughan Williams' Violin Sonata but is planning performances of the composer's music in Japan - interviewA romantic woodland walk with Igor Levit and Simon Bode at Wigmore Hall - concert reviewi berzs, i smilgas... (and a birch and grasses...) - Latvian song across the generations from Emils Melngailis & Kristaps Petersons - record reviewPrecious Things: a lovely survey of Bernard Hughes' recent choral music from Epiphoni Consort on Delphian - record reviewHearing with new ears: Italian pianist Pina Napolitano wants her Conway Hall recital Tempo e Tempi to make the music of Carter more familiar and that of Beethoven more unfamiliar - interviewHome
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