Stéphanie Müther News
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2024-04-23
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2022-08-06 20:41:00
Bayreuth Festival (4): Götterdämmerung, 5 August 2022
FestspielhausSiegfried – Clay Hilley Gunther – Michael Kupfer-Radecky Alberich – Olafur Sigurdarson Hagen – Albert Dohmen Brünnhilde – Iréne Theorin Gutrune – Elisabeth Teige Waltraute – Christa Meyer First Norn – Okka von der Damerau Second Norn – Stéphanie Müther Third Norn – Kelly God Woglinde – Lee-an Dunbar Wellgunde – Stephanie Houtzeel Flosshilde – Katie Stevenson Grane – Igor Schwab Valentin Schwarz (director) Andrea Cozzi (designs) Andy Besuch (costumes) Konrad Kuhn (dramaturgy) Reinhard Traub (lighting) Luis August Krawen (video)Bayreuth Festival Chorus (chorus master: Eberhard Friedrich)Bayreuth Festival OrchestraCornelius Meister (conductor) Valentin Schwarz’s Ring ends more or less where it began, bar curtain-calls in which the long-awaited appearance of Schwarz and his team was greeted by the most intensive booing I have ever heard. I suppose a ‘cyclical’ turn will appeal to some who insist on referring to the Ring as a ‘cycle’, when it is nothing of the sort. Even […]
2022-08-03 10:03:00
Bayreuth Festival (2): Die Walküre, 1 August 2022
FestspielhausSiegmund – Klaus Florian Vogt Hunding – Georg Zeppenfeld Wotan – Tomasz Konieczny, Michael Kupfer-Radecky Sieglinde – Lise Davidsen Brünnhilde – Iréne Theorin Fricka, Schwertleite – Christa Mayer Gerhilde – Kelly God Ortlinde – Brit-Tone Müllertz Waltraute – Stéphanie Müther Helmwige – Daniela Köhler Siegrune – Stephanie Houtzeel Grimgerde – Marie Henriette Reinhold Rossweiße – Katie Stevenson Grane – Igor Schwab Valentin Schwarz (director) Andrea Cozzi (designs) Andy Besuch (costumes) Konrad Kuhn (dramaturgy) Reinhard Traub (lighting) Bayreuth Festival Orchestra Cornelius Meister (conductor) The boos are getting louder: not, I think, for the musicians, but for the production of Valentin Schwarz, who has yet to appear for a curtain-call. That need be no bad thing artistically, though the practice itself is fascistic; should a bourgeois audience feel satisfied with what it has consumed, it will be a disturbing outcome for art. Here, though, the open mind I am endeavouring […]
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