Tatiana Serjan News
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2020-06-13 23:00:00
DG and Decca concerts Part 2
Olivier Messiaen Et Expecto Resurrectionem Mortuom Witold Lutoslawski Concerto for Orchestra Orchestre Philharmonique de Radio France Myung-Whun Chung Jean Sibelius: FinlandiaW. A. Mozart: "Haffner" SymphonyHector Berlioz: Symphonie FantastiquePhilharmonia OrchestraCharles DutoitCamille Saint-Saens Symphony No. 3 Josef Tal Symphony No. 5 Israel Philharmonic Orchestra Zubin Mehta Gioacchino Rossini Semiramide: Overture Paul Hindemith Sancta Susanna Alexander Scriabin Symphony No. 3 Tatiana Serjan soprano New York Philharmonic Riccardo MutiFranz Liszt Les Preludes Ludwig van Beethoven Symphony No. 5 Deutsches SO Berlin Ingo Metzmacher Claude Debussy Sonata for Fllute , Viola and Harp Sonata for Violin and Piano Sonata for Cello and Piano Steven Stucky Sonata en forme de preludes Kajia Saariaho Je sens un deuxieme Coeur Marc-André Dalbavie Axiom The Chamber Music Society of Lincoln Center Ottorino Respighi Il Tramonto Leos Janacek Prohadka William Bolcom Dream […]
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ArtsJournal: music
2018-07-20 12:00:08
Anna Netrebko And Yusif Eyvazov Cancel Because They’re In Quarantine With Norovirus
The superstar soprano and her tenor husband were to star in this weekend’s performances of Cilea’s Adriana Lecouvreur in Baden-Baden until health authorities required them to stay away. Singers Tatiana Serjan and Migran Agadzhanyan are coming to the last-minute rescue.
2017-10-17 23:00:00
Tchaikovsky PIQUE DAME - Jansons
Pyotr Illych Tchaikovsky (1840 - 1893) PIQUE DAME, Op. 68 (1890) Misha Didyk, Tatiana Serjan, Larissa Diadkova,Alexey Shishlyaev, Alexey Markov, Oksana VolkovaChor und Symphonieorchester des Bayerischen Rundfunksdir : Mariss JansonsBR Klassik [P] 2014FLAC, cuesheets, logs, scans, booklet "While Eugene Onegin is Tchaikovsky’s most popular opera, there’s a fair argument that The Queen of Spades is his best. A gripping drama, it requires performances where you believe in Herman’s psychological descent as the desire to learn the secret of the three cards from the old Countess consumes everything, including his love for Lisa. The opera has been lucky on disc, dominated in recent decades by recordings from Valery Gergiev and Seiji Ozawa, both from the early 1990s. They are joined by this resplendent account from Mariss Jansons and the Bavarian Radio Symphony Orchestra, recorded in concert. Jansons has a fine […]
2016-01-25 15:00:16
By Jehovah!
[…] pensiero” in the third act, with the Hebrews longing for their native land. The chorus and orchestra gave a splendid rendition, touching and musically detailed. The role of Nabucco’s fierce adopted daughter Abigaille is, of course, widely described as a “voice killer.” Her fiendishly difficult music requires huge two-octave leaps, descents into chest voice, smooth legato, and even coloratura. And the soprano has to sing in anger and rage through much of the opera. Tatiana Serjan’s searing and powerful performance had all these qualities and more. Her great scena that begins Act Two was a triumph. Featuring gleaming top notes and dark, potent lows, Serjan went seamlessly from anger at Nabucco to a touchingly vulnerable “Anch’io dischuiso un giorno” as she recalls her love for Ismaele, right back to frightening fury in the great cabaletta “Salgo gia dal trono aurato” where Abigaille decides to seize her father’s throne. Serjan is […]