Tomasz Kiesewetter News
conductor, composer, pedagogue
- classical music, theatre music
- Poland
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2024-03-28
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2022-01-12 12:45:11
Johann Joachim Quantz: Flute Concerto No. 129 Context Born in Oberscheden, Germany in 1697, Johann Joachim Quantz was a prolific flautist, Baroque music composer and educator. It wasn’t until his early teens when Quantz began to study music formally, first with his uncle, and then with organist Johann Friedrich Kiesewetter. […] The post appeared first on Classicalexburns.
2019-08-23 13:33:22
It took a man with a vision to see the beauty behind the dilapidated and abandoned Sorg Opera House in Middletown. Now, as John Kiesewetter reports this morning, Chuck Miller has resigned as president of the Sorg Opera Revitalization Group (SORG) to become the new executive director of the historic “State Movie Palace of Kansas,” […]
2019-07-06 11:00:11
Johann Joachim Quantz: Flute Concerto No. 129 Context Born in Oberscheden, Germany in 1697, Johann Joachim Quantz was a prolific flautist, Baroque music composer and educator. It wasn’t until his early teens when Quantz began to study music formally, first with his uncle, and then with organist Johann Friedrich Kiesewetter. […] The post appeared first on Classicalexburns.
2018-11-06 20:23:00
New Jersey Symphony – Christoph Koenig, conductor; Augustin Hadelich, violin. November 3, 2018.
[…] the slow passages,) Hadelich impressed with how he seemed to breeze through the music. The third movement [Passacaglia: Andante lento (un poco meno mosso)] follows a cadenza. This movement ends on a trill on the violin that doesn’t try to resolve anything (“leaves us feeling uncertain and searching,” per the Program Notes.) The piece is performed without pause, although it was easy to tell what movement was being performed. Hadelich’s 1723 “Ex-Kiesewetter” Strad rose above the orchestra; and we are talking about a large complement of musicians, including the tuba and multiple percussion instruments. I was surprised that the violin sounded a bit harsh at times, though. Augustin Hadelich at the end of the Britten violin concerto. I was disappointed that there was no encore. I was ready to listen to another Paganini caprice. Don Juan was one of […]
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