Valeriy Khlebnikov News
Soviet Russian conductor
- oboe, piano
- classical music
- Soviet Union, Russia
- conductor, oboist, music teacher
Last update
2024-04-25
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2016-04-04 23:26:41
[…] four soloists (soprano, countertenor, tenor, bass), that celebrates the beautiful Russian landscapes that are dear to the composer. Structure-wise, it is based on the Catholic Mass in Latin (Kyrie, Gloria, Credo, Sanctus, Benedictus, Agnus Dei), but enriched with additional movements shaped around texts related to nature, which are sang in their original languages (English, German, Russian, Italian): William Blake’s The Wild Flower’s Song (sang by the countertenor), Gerog Trakl’s Lebensalter (sang by the tenor), Velimir Khlebnikov’s Zangezi (sang by the bass), Guillaume Apollinaire’s Clotilde (sang by the soprano), and St. Francis of Assisi’s Preghiera (sang by the four soloists with the only accompaniment of wind chimes gently moved by fans on stage). The message is clear: celebrating the beauty of nature, but being aware that it needs to be protected from the damages we are inflicting to it. The texts do reflect this feeling of appreciation accompanied by sorrow and […]
2016-02-02 22:26:41
[…] four soloists (soprano, countertenor, tenor, bass), that celebrates the beautiful Russian landscapes that are dear to the composer. Structure-wise, it is based on the Catholic Mass in Latin (Kyrie, Gloria, Credo, Sanctus, Benedictus, Agnus Dei), but enriched with additional movements shaped around texts related to nature, which are sang in their original languages (English, German, Russian, Italian): William Blake’s The Wild Flower’s Song (sang by the countertenor), Gerog Trakl’s Lebensalter (sang by the tenor), Velimir Khlebnikov’s Zangezi (sang by the bass), Guillaume Apollinaire’s Clotilde (sang by the soprano), and St. Francis of Assisi’s Preghiera (sang by the four soloists with the only accompaniment of wind chimes gently moved by fans on stage). The message is clear: celebrating the beauty of nature, but being aware that it needs to be protected from the damages we are inflicting to it. The texts do reflect this feeling of appreciation accompanied by sorrow and […]
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