Vincent Van Amsterdam News
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2024-03-28
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All the conducting master class
2023-11-03 17:57:16
01 Sep 2024 – 01 Jul 2026 The National Master of Music in Orchestral Conducting is a prestigious two-year master’s programme offered jointly by the Conservatorium Van Amsterdam and the Royal Conservatoire in The Hague. This programme is presented in cooperation with several professional Dutch orchestras, including the Residentie Orkest, the Netherlands Philharmonic Orchestra, and […]
All the conducting master class
2023-01-30 11:34:00
04 Sep 2023 – 07 Jul 2024 The National Master of Music in Orchestral Conducting is a prestigious two-year master’s programme offered jointly by the Conservatorium Van Amsterdam and the Royal Conservatoire The Hague. This programme is presented in cooperation with several professional Dutch orchestras, including the Residentie Orkest, the Netherlands Philharmonic Orchestra, and the […]
All the conducting master class
2022-01-20 22:14:00
The National Master of Music in Orchestral Conducting is a prestigious two-year master’s programme offered jointly by the Conservatorium Van Amsterdam and the Royal Conservatoire The Hague: Deadline March 1, 2022
The National Master of Music in Orchestral Conducting is a prestigious two-year master’s programme offered jointly by the Conservatorium Van Amsterdam and the Royal Conservatoire The Hague. This programme is presented in cooperation with several professional Dutch orchestras, including the Residentie Orkest, the Netherlands Philharmonic Orchestra, and the North Netherlands Symphony Orchestra. You will follow […]
2020-12-17 20:16:00
In praise of well-recorded Beethoven
Sound is what matters in Beethoven's music. In the Gramophone Philip Clark wrote about "Ludwig van Beethoven, the composer who, more than any other, changed... the sound of music" while in the New Yorker Alex Ross described how Beethoven was "a phenomenon of dazzling and disconcerting force" and how due to his impact "listening underwent a fundamental change". So, in these socially distanced times when audiences have turned to recordings for their classical fix, why is sound quality given so little prominence in Beethoven reviews, or reviews of any other composer's music? I pondered on that question yet again when listening to two new Beethoven releases. The piano is one of the hardest instruments to capture convincingly on a recording. Too often the instrument's upper registers reproduce with a tiring brittle edge. This is not a digital artefact as a select few recordings capture the instrument's full range without reminding the […]
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