Vito Carnevali News
Italian composer
- Kingdom of Italy
- composer
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2024-03-29
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2015-09-08 01:11:00
[…] Piero Cappuccilli. To offer a passable "Trovatore" with an almost local cast is really difficult; the recent presentation by Melodramma at the Avenida gets to that level. The audience´s verdict: the star of the evening was Anabella Carnevali as Azucena; and I agree. She is a true dramatic mezzo with ringing highs (albeit with excessive vibrato), a firm center and a contralto-ish low register; the timbre is right, the volume important, and she sings and moves with hot conviction. Veteran soprano Haydée Dabusti has long shown to be an authentic Verdian, one of the very few in our midst; however, this time she was uneven: splendid […]
2015-07-19 03:11:00
[…] and adequate costumes (again, if you accept the changes). The musical side had a characteristic: all the singers were Argentine. In "Cavalleria..." I was impressed by Guadalupe Barrientos, singing with a full expressive voice and acting with passionate involvement. Enrique Folger was intense as Turiddu, Mariana Rewerski was a tempting Lola and Anabella Carnevali showed a substantial contralto voice as Mamma Lucia. Leonardo Estévez as Alfio was correct. Cura remains a dramatic artist, but his voice has lost much of its beauty and firmness. Fabián Veloz was an effective Prologue (not his fault if he didn´t sing in front of the drop curtain) and Tonio, with a healthy baritone […]
2014-06-22 08:19:00
[…] For some reason (no explanation) the announced debut of Italian tenor Raffaele Sepe didn´t take place and our tenor Fernando Chalabe had to step in at the last minute. He barely managed but it was a brave effort under the circumstances. The best singing came from Haydée Dabusti as a dignified Elisabetta who phrased with taste. Anabella Carnevali (Eboli) has a huge voice but has to polish her technique. Leonardo López Linares is a stalwart baritone of very firm highs but his Falstaffian proportions were hardly those of the great warrior Posa. Uruguayan bass Marcelo Otegui offered a very correct job as Filippo, but of course the role needs much more. The tremendous duet […]
2013-07-14 21:25:00
[…] ladies prevailed. Haydée Dabusti was very firm in the high and middle registers, less so in the low tones; but she always sang with taste and style, proving again that she is one of our best singers. At times she was a bit light (Leonora is generally more forceful); on the other hand, she was admirably agile in the "cabalettas". The Azucena was a find: Anabella Carnevali (do not confuse with Mariana Carnovali), "Rosarina", is more a contralto than a mezzo. She has a problem with excessive vibrato in high notes but otherwise her big, heavily textured voice has the tragic strength the old gypsy needs. Her acting was concentrated and communicative. The gentlemen were less convincing. […]
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