Václav Jindřich Veit News
Czech composer, copyist, pianist and lawyer
Commemorations 2024 (Death: Václav Jindřich Veit)
- piano
- classical music, liturgical music
- Austrian Empire
- composer, conductor, jurist, pianist, lawyer
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2024-04-24
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2023-12-04 14:03:00
Die Meistersinger von Nürnberg, Deutsche Oper, 3 December 2023
Hans Sachs – Johan Reuter Veit Pogner – Albert Pesendorfer Kunz Vogelgesang – Gideon Poppe Konrad Nachtigall – Marek Reichert Sixtus Beckmesser – Philipp Jekal Fritz Kothner – Thomas Lehman Balthasar Zorn – Jörg Schörner Ulrich Eißlinger – Patrick Vogel Augustin Moser – Paul Kaufmann Hermann Ortel – Stephen Bronk Hans Schwarz – Tobias Kehrer Hans Foltz – Byung Gil Kim Walther von Stolzing – Magnus Vigilius David – Ya-Chung Huang Eva – Elena Tsallagova Magdalena – Kathrin Göring Night Watchman – Tobias Kehrer Apprentices – Agata Kornaga, Freya Müller, Kangyoon Shine Lee, Yehui Jeong, Oleksandra Diachenko, Natalie Jurk, Jongwoo Hong, Thoma Jaron-Wutz, Leon Juurlink, Kyoungloul Kim, Sotiris Charalampous, Simon GrindbergJossi Wieler, Anna Viebrock, Sergio Morabito (directors)Torsten Köpf (co-set designer)Charlotte Pistorius (co-costume designer)Olaf Freese (lighting) Chorus of the Deutsche Oper Berlin (chorus director: Jeremy Bines)Orchestra of the Deutsche Oper BerlinUlf Schirmer (conductor)Die Meistersinger von Nürnberg, premiere am 12.6.2022 in der Deutschen […]
2021-03-11 08:02:12
Modern Czech Masters: flute sonatas by Jindřich Feld, Jan Novák, Erwin Schulhoff and Bohuslav Martinů
Modern Czech Masters - Feld, Novák, Schulhoff, Martinů; Orlando Cela, David Gilliland; Orpheus Classical Reviewed by Robert Hugill on 10 March 2021 Star rating: 3.0 (★★★) Four flute sonatas showcasing the diversity of Czech music in the 20th centuryWhen it comes to Czech chamber music it can seem as if there is a clear line in the 19th century moving from Václav Jindřich Veit to Bedřich Smetana to Antonín Dvořák to Leoš Janáček , during which time a particular sense of Czech musical style developed. Of course, it is not quite as simple as this, and when we get to the 20th century things get even more complicated with competing European musical styles and the development of modernism, the complexities of politics as a result of seismic shifts following each of the world wars and the tragic deaths in Nazi concentration camps.This disc from American duo, Orlando Cela (flute) […]
2019-12-06 13:02:00
Salome, Staatsoper Unter den Linden, 4 December 2019
Images: Monika RittershausOscar Wilde (Christian Natter), Salome (Aušrine Stundytė) Herod – Vincent Wolfsteiner Herodias – Marina Prudenskaya Salome – Aušrine Stundytė Jochanaan – Thomas J. Mayer Narraboth – Peter Sonn Herodias’s Page – Annika Schlicht Jews – Ziad Nehme, Michael Smallwood, Matthew Peña, Andrés Moreno Garcia, David Oštrek Nazarenes – Adam Kutny, Ulf Dirk Mädler Soldiers – Arttu Kataja, Erik Rosenius A Cappadocian – David Oštrek A Slave – Ireene Ollino Oscar Wilde – Christian Natter Guards – Ernesto Amico, Allen Boxer, Nikos Fragkou, Jonathan Heck, Maximilian Reisinger, Tom-Veit Weber Hans Neuenfels (director) Philipp Lossau (assistant director) Reinhard von der Thannen (designs) Kathrin Hauer (assistant stage designer) Sommer Ulrickson (choreography) Stefan Bolliger (lighting) Henry Arnold (dramaturgy) Staatskapelle Berlin Thomas Guggeis (conductor) Manipulation lies at the heart of Richard Strauss’s art. One might argue that it lies at the heart of all art; there would […]
2019-08-13 07:14:36
Wagner’s Die Meistersinger von Nürnberg at the Bayreuth Festival
[…] Sachs, Daniel Behle as David and Johannes Martin Kränzle as Beckmesser. The pivotal role of Walther von Stolzing (seen as Young Wagner) fell to Klaus Florian Vogt, a big ‘favourite’ of the Green Hill and his entrance into Wahnfried’s elegantly-furnished, book-lined drawing-room came by way of a precarious route tumbling from Wagner’s Steinway Grand directly into the arms of Cosima (seen as Eva) powerfully sung by Finnish soprano Camilla Nylund while Günther Groissböck as Veit Pogner (Eva’s father, later appearing as Franz Liszt) showed his muscle equating to his wealthy position.The Master Singers arrive by the same circuitous route (plus a few Wagner look-alikes, too) with their chains of office denoting their trade dangling heavily from their necks. Robed in traditional processional gowns - inspired, perhaps, by the Nuremberg Renaissance printmaker, Albrecht Dürer - they could easily have passed off as the Lord Chamberlain’s Men from the pantomime, Dick […]
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