Walther Schneiderhan News
Austrian musician and violinist
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- classical music
- Austria
- musician, violinist, concertmaster
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2024-04-23
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2021-02-22 00:00:00
Decca Eloquence 4
[…] von Weber Clarinet Quintet Gervase de Peyer clarinet The Melos Ensemble of London Giuseppe Tartini Violin Concerto in A major Violin Concerto in B flat major Violin Concerto in G major Violin Concerto in E minor Violin Concerto in G major Salvatore Accardo violin & director I Musici English Chamber Orchestra Frank Martin Violin Concerto In terra Pax Etudes Concerto for seven wind instruments Wolfgang Schneiderhan violin L’Orchestre de la Suisse Romande Ernest Ansermet Gabriel Fauré Requiem Pelleas et Mellisande Fantaisie Pavane Masques et Bergamasques Sylvia McNair soprano Thomas Allen baritone Academy of St. Martin in the Fields Sir Neville Marriner Gustav Mahler Symphony No. 9 London Symphony Orchestra Sir Georg Solti Sergei Rachmaninov Preludes op. 23 Preludes op. 32 Moura Lympany piano (1941-42 Recordings) W. A. Mozart Violin […]
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Faces of classical music
2019-12-28 12:00:00
The Faces of Classical Music Choose the 20 Best Albums of 2019
[…] pages back in June 2006, I noted then that "the main stumbling-block on so many rival recordings of this work is a sort of romantic reverence, a trend challenged by Zehetmair, Kremer and others. For all its many moments of profound repose, Beethoven's Violin Concerto is a forthright, heroic piece, with boldly militaristic first movement tutti and a rollicking finale which Tetzlaff invests with numerous added colours. Following on the heels of Zehetmair, Kremer and Schneiderhan, [he] performs the violin version of the cadenza that Beethoven wrote for his piano transcription of the work, a playful excursion and a snug fit for his overall interpretation". This choice of cadenza has apparently been Tetzlaff's preferred option from the age of 15.Little has changed during the intervening years, at least in principle. Listening to Tetzlaff flying side-saddle through the Concerto last November (when this superbly engineered recording was made at Berlin's Philharmonie), […]
This source is no longer available. The following article is not online anymore.
Faces of classical music
2019-11-24 09:11:00
The best new classical albums: November 2019
[…] pages back in June 2006, I noted then that "the main stumbling-block on so many rival recordings of this work is a sort of romantic reverence, a trend challenged by Zehetmair, Kremer and others. For all its many moments of profound repose, Beethoven's Violin Concerto is a forthright, heroic piece, with boldly militaristic first movement tutti and a rollicking finale which Tetzlaff invests with numerous added colours. Following on the heels of Zehetmair, Kremer and Schneiderhan, [he] performs the violin version of the cadenza that Beethoven wrote for his piano transcription of the work, a playful excursion and a snug fit for his overall interpretation". This choice of cadenza has apparently been Tetzlaff's preferred option from the age of 15.Little has changed during the intervening years, at least in principle. Listening to Tetzlaff flying side-saddle through the Concerto last November (when this superbly engineered recording was made at Berlin's Philharmonie), […]
2019-05-29 03:56:57
Austrian violinist Wolfgang Schneiderhan was born on this day in 1915 – 104 years ago. A student of Otakar Sevcik and Julius Winkler, Mr Schneiderhan was a former Concertmaster of the Vienna Symphony Orchestra and the Vienna Philharmonic. He gave the premiere performance of Karl Amadeus Hartmann’s Concerto Funebre. WOLFGANG Schneiderhan | BEETHOVEN VIOLIN […] The post appeared first on The World's Leading Classical Music News Source. Est 2009..
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