William de Chair Tattersall News
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2024-04-25
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Faces of classical music
2019-12-13 17:20:00
Jakub Józef Orliński: A Millennial Countertenor's Pop-Star Appeal
By Rebecca MeadNew Yorker — July 15, 2019Jakub Józef Orliński brings a swooning sultriness – and a bunch of break-dancing moves – to the Baroque-music revival.Shortly after Jakub Józef Orliński, a young Polish countertenor, made his début at the Aix-en-Provence Festival, in a 2017 production of Cavalli's "Erismena", he was celebrating with several other singers when he got a phone call from one of the event's organizers. An ensemble scheduled to appear the next day on a live broadcast of "Carrefour de Lodéon", a French radio program, had dropped out. Would Orliński jump in and perform? Orliński, who was twenty-six at the time, was in high spirits, having played the role of Orimeno with goofy, irrepressible energy. He'd made his first entrance by leaping onto a chair, launching into a jaunty aria, and then – exhibiting a skill singular among opera singers – throwing himself into a sequence of break-dancing […]
2016-07-05 21:16:00
My recent post Your cat is a music therapist attracted a large readership; so today I have another rather more edgy post about cats. Almost two years ago our cat Ginger suffered a very serious injury to a rear haunch, caused in the view of the vets that treated him by his leg being trapped in an illegal rabbit snare for more than 24 hours. Due to the miraculous skill of orthopaedic surgeon James Tattersall of the Grove Veterinary Group at Fakenham, Ginger's irreparably damaged ligament was replaced with a synthetic substitute and he regained full mobility. Ginger was ten when injured, so we decided to make him a house cat to protect the injured leg, and he has adapted remarkably well to his new life. However we recently bought him a Mywood cat jacket so he can exercise outdoors on a lead. Before his injury Ginger was an inveterate hunter, […]
2013-05-21 14:23:00
How to avoid huge ships when the world is puddle-wonderful
[…] Taras Kalapun from Homs, Syria. Hope he's well!) Yuko Ohara's Double Helix suggests twisting, twining possibilities. For two instruments the solution would be easy. For solo flute, it's more of a challenge. She's worked with David Sawer, Toshio Hosokawa and Brian Ferneyhough. Emma-Ruth Richards Flute caught on a corner intrigues too. It's not "just" flute but scored for wind quartet. Richards' piece for solo viola is played by Paul Silverthorne. Hear it here. Piers Tattersall's work has featured at previous New Dots concerts. This time, the piece is At a distance of less than a yard... for clarinet, horn and piano. And as an extra treat Richard Uttley will be playing Barkham Fantasy by Mark Simpson. It was "written during my stay at Barkham, an idyllic converted farmhouse amidst the backdrop of the Devonshire moors. I intended the piece to resemble a ghostly shadow of a […]
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