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2024-03-19
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2022-08-29 14:19:00
Salzburg Festival (5) - Katya Kabanova, 26 August 2022
FelsenreitschuleKatěrina Kabanova – Corinne Winters Marfa Ignatěvna Kabanova (Kabanicha) – Evelyn Herlitzius Varvara – Jarmila Balážová Boris Grigorjevič – David Butt Philip Váňa Kudrjáš – Benjamin Hulett Tichon Ivanyč Kabanov – Jaroslav Březina Savël Prokofjevič Dikoj – Jens Larsen Kuligin – Michael Mofidian Glaša – Nicole Chirka Fekluša – Ann-Kathrin NiemczykBarrie Kosky (director)Rufus Didwiszus (set designs)Victoria Behr (costumes)Franck Evin (lighting)Christian Arseni (dramaturgy)Concert Association of the Vienna State Opera Chorus (chorus director: Huw Rhys James)Vienna Philharmonic Orchestra,Jakub Hrůša (conductor)Images: SF / Monika Rittershaus For me, Barrie Kosky has often been at his best when staging more serious operas, which do not lend themselves to his trademark ‘showbiz’ treatment, and for which he has shown a single-mindedness again quite different from what other stagings may have led us to expect. Pelléas, Rusalka, Eugene Onegin, and Iphigénie en Tauride spring immediately to mind. Others differ strongly, I know, so it is probably more a matter of […]
2022-06-12 14:41:00
Dido and Aeneas and Bluebeard's Castle, Oper Frankfurt, 5 June 2022
Frankfurt Opera HouseDido – Cecelia Hall Aeneas – Sebastian Geyer Belinda – Kateryna Kasper Second Woman – Karolina Bengtsson Sorceress – Dmitry Egorov First Witch – Elizabeth Reiter Second Witch – Karolina Makuła Spirit, Sailor – Carlos Andrés CárdenasBluebeard – Nicholas Brownlee Judith – Claudia Mahnke Prologue (on tape) – Benedek SalgoBarrie Kosky (director)Alan Barnes (revival director)Katrin Lea Tag (designs)Joachim Klein (lighting)Zsolt Horpácsy (dramaturgy)Frankfurt Opera Chorus (chorus director: Tilman Michael)Frankfurt Opern- und MuseumsorchesterBenjamin Reiners (conductor)First Witch (Elizabeth Reiter), Sorceress (Dmitry Egorov), Second Witch (Karolina Makula)Images: Barbara Aumüller The operatic double-bill presents problems and opportunities—like any staged event, one might say, though there are of course specific cases for each genre, even vis-à-vis spoken theatre. First, at least in most instances, comes the question of what to programme together, that is assuming one has rejected the obvious solution of leaving a shortish one-act opera on its own. Practices change: we now rarely […]
2021-08-31 17:20:19
He will succeed Toshiyuki Kamioka, who held the post since 2016 and first conducted the New Japan Philharmonic (NJP) in 1988. Yutaka Sado’s 2023 appointment will make him the fifth music director of the orchestra since it was founded in 1972 by Seiji Ozawa. Before his directorship begins, Sado will serve in an advisory […] The post appeared first on The World's Leading Classical Music News Source. Est 2009..
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