Andrew Goodwin Videos
Australian opera singer
- piano, violin, pipe organ, voice
- tenor
- classical music
- Australia, United Kingdom, Russia
- opera singer
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2024-03-26
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Goodwin Edward Elgar English Chamber Orchestra 2001
Provided to YouTube by harmonia mundi Nursery Suite: I. Aubade · Paul Goodwin · English Chamber Orchestra · Edward Elgar Elgar: Nursery Suite, Serenade, Dream Children & Other Works ℗ 2001 harmonia mundi usa Composer: Edward Elgar Auto-generated by YouTube.
Martina Koppelstetter Mathis Nitschke Helmuth Rilling Armin Jordan Goodwin Constantinos Carydis Gast Hänsel Suzuki Reich Guth Herzog Purcell Monteverdi Gioacchino Rossini Bach Hiller Schumann Britten Sibelius Bauer Münchener Biennale Festival Musica Stadttheater Klagenfurt Theater Ulm Tiroler Landestheater Théâtre Champs Élysées Theater Wien 2003 2007 2012 2015 2016 2017
Mezzosopran/Alt, Lied, Konzert, Oper: barocke und zeitgenössische Musik; experimentelles Musiktheater (Mathis Nitschke). Eigene Konzertreihe: kunst.salon auf wanderschaft (zusammen mit Monika Lichtenegger und Michel Watzinger): Musik und Literatur verbinden, neue Interpretationen und Kompositionen anregen. Mitglied der Gruppe 3Gesang (mit Ruth Geiersberger, Performance, und Georg Glasl, Zither): Verbindung von zeitgenössischer und bayr. Volksmusik Dozentin für Ariengestaltung am Masterstudiengang Musiktheater an der August -Everding-Akademie, München. Stimmbildnerin beim Münchner Mädchenchor Nach der Musikhochschule München nahm sie Engagements an verschiedenen Opernhäusern an, widmete sich aber auch gleichermaßen dem Konzert- und Liedgesang. Die Mezzosopranistin arbeitete mit Dirigenten wie Enoch zu Guttenberg, Helmuth Rilling, Armin Jordan, Alicja Mounk, Paul Goodwin und Constantinos Carydis und war Gast u.a. beim Rheingau-Musikfestival, den Internationalen Festwochen in Stuttgart, dem Osterklang Wien und dem International Festival of Music in Bath/England. Martina Koppelstetter ist eine gefragte Interpretin für zeitgenössische Musik. Sie war wiederholt Gast bei der Münchener Biennale für modernes Musiktheater und trat bei Konzerten der Reihe „das neue werk“ des NDR in Hamburg, beim A.Devantgart-Festival und bei „musica viva“ des BR in München auf, sowie bei den Tagen für Neue Musik in Darmstadt und Witten. Sie gastierte am Stadttheater Klagenfurt, Theater Ulm, Tiroler Landestheater und am Staatstheater am Gärtnerplatz, München, dem Sie von 2003 bis 2007 als Ensemblemitglied angehörte. Dort war sie u.a. als Dorabella, Hänsel, Suzuki, Orlofsky, Nancy und Frau Reich zu hören und arbeitete mit Regisseuren wie Claus Guth, Doris Dörrie und Katharina Wagner. In der Saison 2012/13 debutierte Martina Koppelstetter an der Opéra National de Montpellier mit „What next?“ von E. Carter und „Jetzt“ von Mathis Nitschke, sowie als „Fili“ in Händels „Acis and Galatea“ am Théâtre des Champs-Élysées, Paris, und dem Theater an der Wien. Im Sommer 2015 u.a. erarbeitete sie mit Mathis Nitschke dessen interaktive Kurzoper im öffentlichen Raum „Viola“ in der Titelrolle, im Rahmen des Festivals „pasing by“ in München. Eine Fortsetzung dieses Aufsehen erregenden Konzeptes bildete „Katharina“ im September 2016 im Rahmen von „München dezentral“. (katharina.mathis-nitschke.com). 2017 wird sie in nun die „Maya“ im gleichnamigen Werk des Komponisten verkörpern. Eine enge Zusammenarbeit verbindet die Künstlerin auch mit dem Ensemble für Alte und Neue Musik Così facciamo. Hier war sie als Herzog Polinesso in Händels „Ariodante“ und als Sorceress in „Dido & Aeneas“ von H. Purcell zu hören sowie als Messagiera und Proserpina in „L'Orfeo“ und als Ottavia in „L'incoronazione di Poppea“ von C. Monteverdi. Mit dieser Partie war sie zuletzt 2016 u.a. im Münchener Cuvilliéstheater zu erleben. Zu ihren Einspielungen zählen die „Petite Messe Solennelle“ von Gioacchino Rossini, die „h-moll-Messe“ von Bach, „Der kleine blaue Bergsee“ und „Peter Pan“ von Wilfried Hiller (Deutsche Grammophon) und eine Reihe von Liedaufnahmen mit Werken von R. Schumann, B. Britten, R. Spring und J. Sibelius beim HR und BR. Martina Koppelstetter arbeitet als Gesangspädagogin u.a. beim Münchner Mädchenchor und hat eine Dozentur für Ariengestaltung im Masterstudiengang Musiktheater an der Bayerischen Theaterakademie inne. Buchempfehlung: „Strudlhofstiege“ von Heimito von Dodoerer „Alles hat seine Zeit“ Ole Knausgard „Warum ich fühle, was du fühlst“ Joachim Bauer Kontakt: www.koppelstetter.com
Albert Spalding Schubert Benoist Goodwin Jacques Thibaud Samuel Barber Dresden Philharmonic 1888 1906 1908 1916 1919 1920 1922 1941 1944 1950 1953
Albert Spalding plays 'Serenade,' with piano by Andre Benoist. The recording was made in New York on 22 October 1920. From Wikipedia: Albert Spalding (August 15, 1888 – May 26, 1953) was an internationally recognized American violinist and composer. Spalding was born in Chicago, Illinois on August 15, 1888. His mother, Marie Boardman, was a contralto and pianist. His father, James Walter Spalding, and uncle, Hall-of-Fame baseball pitcher Albert Goodwin 'Al' Spalding, created the A.G. Spalding sporting goods company. Spalding studied the violin privately in Manhattan, New York City and Florence, Italy, and at the conservatories in Paris and Bologna; the latter graduated him with honors when he was fourteen. Following his debut in Paris on June 6, 1906, he appeared successfully in London and Vienna. His first American appearance as soloist came with the New York Symphony on November 8, 1908. A year later he soloed with the Dresden Philharmonic Orchestra when that orchestra toured the United States. In 1916, he was recognized as a national honorary member of Phi Mu Alpha Sinfonia, the national fraternity for men in music. During World War I, Spalding served in the U.S. Army Air Corps (at one point as aide-de-camp to then-Congressman Fiorello La Guardia) and would eventually be awarded the Cross of the Crown of Italy. Not long after his return to the United States, he married Mary Vanderhoef Pyle on July 19, 1919, in Ridgefield, Connecticut. French violinist Jacques Thibaud and Andre Benoist, Spalding's accompanist, provided the music for the ceremony. In 1920, Spalding appeared on the European tour of the New York Symphony. In 1922, he became the first American violinist to appear with the Paris Conservatory Orchestra; a year later he was the first American to serve on a jury at the Paris Conservatory, helping to award prizes to the graduating class of violinists. In February 1941, he premiered the violin concerto of Samuel Barber. Upon the United States' involvement in World War II, Assistant Secretary of State Adolf Berle successfully urged Spalding to accept an assignment with the Office of Strategic Services. He was posted to London, for six weeks, and then served in North Africa until he was ordered to Naples where he was attached to the Psychological Warfare Division of SHAEF. In 1944, Spalding gave a legendary concert to thousands of terrified refugees stranded in a cave near Naples during a bombing raid. Following a concert in New York on May 26, 1950, Spalding announced his retirement from the concert stage. Thereafter, he taught master classes at Boston University College of Music and, in the winter months, at Florida State University. His last recital, with pianist Jules Wolffers, at Boston University on 15 May 1953 was preserved on record... Ten days later he died in Manhattan, New York City, at the age of 64.
Albert Spalding Dvořák Wilhelmj Benoist Goodwin Jacques Thibaud Samuel Barber Dresden Philharmonic 1888 1906 1908 1916 1919 1920 1922 1941 1944 1950 1953
Albert Spalding plays 'Humoreske,' with piano by Andre Benoist. The recording date is uncertain. Takes A, B and C were recorded in New York on 13 March 1916, but this is take G and takes up to L were ultimately used. It seems unlikely that all were recorded at a similar time. This side was transferred from a white label pressing, but the bottom part of the label is missing, so I reproduce the label from an etched label pressing - also take G - although unfortunately it is quite hard to read! From Wikipedia: Albert Spalding (August 15, 1888 – May 26, 1953) was an internationally recognized American violinist and composer. Spalding was born in Chicago, Illinois on August 15, 1888. His mother, Marie Boardman, was a contralto and pianist. His father, James Walter Spalding, and uncle, Hall-of-Fame baseball pitcher Albert Goodwin 'Al' Spalding, created the A.G. Spalding sporting goods company. Spalding studied the violin privately in Manhattan, New York City and Florence, Italy, and at the conservatories in Paris and Bologna; the latter graduated him with honors when he was fourteen. Following his debut in Paris on June 6, 1906, he appeared successfully in London and Vienna. His first American appearance as soloist came with the New York Symphony on November 8, 1908. A year later he soloed with the Dresden Philharmonic Orchestra when that orchestra toured the United States. In 1916, he was recognized as a national honorary member of Phi Mu Alpha Sinfonia, the national fraternity for men in music. During World War I, Spalding served in the U.S. Army Air Corps (at one point as aide-de-camp to then-Congressman Fiorello La Guardia) and would eventually be awarded the Cross of the Crown of Italy. Not long after his return to the United States, he married Mary Vanderhoef Pyle on July 19, 1919, in Ridgefield, Connecticut. French violinist Jacques Thibaud and Andre Benoist, Spalding's accompanist, provided the music for the ceremony. In 1920, Spalding appeared on the European tour of the New York Symphony. In 1922, he became the first American violinist to appear with the Paris Conservatory Orchestra; a year later he was the first American to serve on a jury at the Paris Conservatory, helping to award prizes to the graduating class of violinists. In February 1941, he premiered the violin concerto of Samuel Barber. Upon the United States' involvement in World War II, Assistant Secretary of State Adolf Berle successfully urged Spalding to accept an assignment with the Office of Strategic Services. He was posted to London, for six weeks, and then served in North Africa until he was ordered to Naples where he was attached to the Psychological Warfare Division of SHAEF. In 1944, Spalding gave a legendary concert to thousands of terrified refugees stranded in a cave near Naples during a bombing raid. Following a concert in New York on May 26, 1950, Spalding announced his retirement from the concert stage. Thereafter, he taught master classes at Boston University College of Music and, in the winter months, at Florida State University. His last recital, with pianist Jules Wolffers, at Boston University on 15 May 1953 was preserved on record... Ten days later he died in Manhattan, New York City, at the age of 64.
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- timeline: Lyrical singers (Europe). Performers (Europe).
- Indexes (by alphabetical order): G...