INtune - The In Series Podcast
INtune - The In Series Podcast is an English-speaking podcast specialized in the field of classical music and opera. As such, INtune - The In Series Podcast is a podcast selected by soclassiq, like Scores & Pours or The Mind Over Finger Podcast and many others. The oldest episode indexed by soclassiq is dated 2018-08-22. Since then, a total of 37 episodes have been recorded and broadcast by INtune - The In Series Podcast.
INtune - The In Series Podcast activity
With 1 articles published in the last 90 days, INtune - The In Series Podcast is currently a not very active podcast. "Not very active" does not mean that INtune - The In Series Podcast is less interesting than another more prolific source. Each media follows a specific editorial line, recording and broadcasting according to its own rhythm.
This editorial activity is slowing down compared to the previous period.
The last episode in INtune - The In Series Podcast, "Digital Director's Salon - Orpheus And Eurydice", is dated 2020-10-19. By 2020, this podcast had published 17 episodes.
INtune - The In Series Podcast in the last 36 months
INtune - The In Series Podcast has been selected by soclassiq to be among its podcasts list because we believe that its episodes fully contribute to the knowledge of classical music and opera. Because it is up to everyone to make their own opinion, to love INtune - The In Series Podcast or to prefer other stories, all our visitors and members are invited to discover INtune - The In Series Podcast. If you like it, feel free to add it to your browser bookmarks or soclassiq bookmarks (for its members, with the button below). This will allow you to come back to it easily and regularly.
The latest epiodes from INtune - The In Series Podcast
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Duration (h:m:s): 1:34:58
IN Series' unique series of conversation with artist and scholars on the themes of each production continues in a digital form with this enlightening conversation with Benjamin Williamson (Orpheus), Paula Sides (Eurydice), and Andrew Albin, poet, translator, and scholar or literature, led by Artistic Director Timothy Nelson.
Duration (h:m:s): 1:15:10
On the third and longest night in their playing, the fairies play out the story of four young lovers in the woods, As they sleep the fairies led by Puck, Oberon, and Titania, confuse their love with drops from the magical flower. When they wake they learn that there is no fairy tale in A Fairy Queen as they confront …
Duration (h:m:s): 51:16
On the second evening of their revels, Puck narrates the feud between Fairy King Oberon and his Queen Titania, who soon square. Cursing Titania and her fairy band, Oberon consorts with Puck to pick an herb which will make her, when placed on her eyelids while asleep, love the first creature she sees upon waking. Finding her asleep he administers …
Duration (h:m:s): 39:25
In this opening episode a prologue introduces the world of fairies and the plots that they will play. First come the Mechanicals, a group of odd folks setting out to perform a play. They are led by Quince and their stay is Bottom, a stuttering fool who's ass like personality becomes transformed to reality when he encounters Oberon, the Fairy …
Duration (h:m:s): 32:59
Finally the Mechanicals return to perform their play. Chaos mysteriously turns to comfort as fiasco becomes revelation, The fairies gather in an epilogue just before the fourth nights end, at break of day, and Puck makes amends.
Duration (h:m:s): 15:27
An abbreviated episode on the limits of language, the usefulness of silence, and the need for noise.
Duration (h:m:s): 20:04
As we look forward we look backwards at music that came out of times of crisis.
Duration (h:m:s): 28:36
Insanity, In sanity, and INsanity - a conversation through three approaches to the same turn of phrase - from budgets to passions to poetry.
Duration (h:m:s): 35:45
A musical meditation from Johne Donne to Robert Johnson to Gabriel Garcia Marquez and the paradox of solitude.
Duration (h:m:s): 32:32
In this final installment of our RING listening guide, Artistic Director Timothy Nelson explores not only this final segment, but also the power this work and Wagner's music continued to hold throughout the entire 20th century, even impacting how opera is made today.