Karlheinz Stockhausen Works
German composer
- piano, violin
- opera, electronic music, experimental music, serialism, aleatoric music, 20th-century classical music, chamber music, musique concrète
- Germany, Nazi Germany
- composer, musicologist, music teacher, music theorist, university teacher, musician
streaming
Complete works
Categories
not qualified (4)
Work for choir (7)
Song, lied (1)
Opera (8)
Work for soloist (19)
Work for chamber orchestra (30)
Work for orchestra (10)
Electroacoustic music (24)
Theatrical music (2)
Creative activity
1950
age 22
58 years
2007
age 79
Number of works
Duration of the works (average or estimed)
Dated works
2007
Sound : the 24 Hours of the Day, Opp. 81-101
Klang. Die 24 Stunden des Tages
Composed from 2005
1. First Hour: Ascension, Op. 81 No. 1, “Himmelfahrt”
2. Second Hour: Joy, Op. 82 No. 2, “Freude”
3. Third Hour: Natural Durations 1–24, Op. 83 No. 3, “Natürliche Dauern 1–24”
4. Fourth Hour: Heaven's Door, Op. 84 No. 4, “Himmels-Tur”
5. Fifth Hour: Harmonies, Op. 85 No. 5, “Harmonien”
6. Sixth Hour: Beauty, Op. 86 No. 6, “Schönheit”
7. Seventh Hour: Balance, Op. 87 No. 7, “Balance”
8. Eighth Hour: Bliss, Op. 88 No. 8, “Glück”
9. Ninth Hour: Hope, Op. 89 No. 9, “Hoffnung”
10. Tenth Hour: Brilliance, Op. 90 No. 10, “Glanz”
11. Eleventh Hour: Fidelity, Op. 91 No. 11, “Treue”
12. Twelfth Hour: Awakening, Op. 92 No. 12, “Erwachen”
13. Thirteenth Hour: Cosmic Pulses, Op. 93 No. 13, “Cosmic Pulses”
14. Fourteenth Hour: Havona, Op. 94 No. 14, “14: Havona”
15. Fifteenth Hour: Orvonton, Op. 95 No. 15, “Orvonton”
16. Sixteenth Hour: Uversa, Op. 96 No. 16, “Uversa”
17. Seventeenth Hour: Nebadon, Op. 97 No. 17, “Nebadon”
18. Eighteenth Hour: Jerusem, Op. 98 No. 18, “Jerusem”
19. Nineteenth Hour: Urantia, Op. 99 No. 19, “Urantia”
20. Twentieth Hour: Edentia, Op. 100 No. 20, “Edentia”
21. Twenty-first Hour: Paradise, Op. 101 No. 21, “Paradies”
2006
Türin
2005
2004
Mittwoch-Formel, Op. 73 1/2
Trio, composed for percussions trio
Klavierstück XVIII, Op. 73 2/3
Work composed for electronic piano
2003
2002
2001
2000
3 x Refrain 2000, Op. 11 1/2
1998
1997
Thinki, Op. 1 ex70
Work composed for flute
Bassetsu-Trio, Op. 3
Work composed for basset-horn, trombone and trumpet
1996
1995
1994
1993
1992
1991
1990
1989
Ypsilon, Op. 2 ex59
Work composed for microtones melody instrument
Sukat, Op. 2 ex60
Work composed for alto flute and basset-horn
Even, Op. 1 ex59
Quitt
Work composed for alto flute, clarinet and trumpet
1988
1987
1986
Xi, Op. 1 ex55
Work composed for microtones melody instrument
Outer Space, Op. 62
Weltraum
1985
1982
1981
Dream Formula, Op. 51 2/3
Traum-Formel
Work composed for percussions
Piano Piece, Op. 51 1/2
1980
1978
1977
1975
1974
1973
1972
1970
Für kommende Zeiten, Opp. 33
1. Unanimity, Op. 33 No. 1, “ÜbereinstimmunG”
2. Elongation, Op. 33 No. 2, “Verlängerung”
3. Shortening, Op. 33 No. 3, “Verkürzung”
4. Across the Boundary, Op. 33 No. 4, “Über die Grenze”
5. Communication, Op. 33 No. 5, “Kommunikation”
6. Für kommende Zeiten, Op. 33 No. 6, “Intervall”
7. Outside, Op. 33 No. 7, “Ausserhalb”
8. Inside, Op. 33 No. 8, “Innerhalb”
9. Halt, Op. 33 No. 9, “Anhalt”
10. Vibration, Op. 33 No. 10, “Schwingung”
11. Spectra, Op. 33 No. 11, “Spektren”
12. Waves, Op. 33 No. 12, “Wellen”
13. Bird of Passage, Op. 33 No. 13, “Zugvogel”
14. Presentiment, Op. 33 No. 14, “Vorahnung”
15. Für kommende Zeiten, Op. 33 No. 15, “Japan”
16. Awake, Op. 33 No. 16, “Wach”
17. Für kommende Zeiten, Op. 33 No. 17, “Ceylon”
1969
1968
From the Seven Days, Opp. 26
Aus den sieben Tagen
1. Right Durations, Op. 26 No. 1, “Richtige Dauern”
2. Unlimited, Op. 26 No. 2, “Unbegrenzt”
3. Connection, Op. 26 No. 3, “Verbindung”
4. Meeting Point, Op. 26 No. 4, “Treffpunkt”
5. Night Music, Op. 26 No. 5, “Nachtmusik”
6. Downward, Op. 26 No. 6, “Abwärts”
7. Upward, Op. 26 No. 7, “Aufwärts”
8. Above and Below, Op. 26 No. 8, “Oben und Unten”
9. Intensity, Op. 26 No. 9, “Intensität”
10. Set Sail for the Sun, Op. 26 No. 10, “Setz die Segel zur Sonne”
11. Communion, Op. 26 No. 11, “Kommunion”
12. Litany, Op. 26 No. 12, “Litanei”
13. It, Op. 26 No. 13, “Es”
14. Gold Dust, Op. 26 No. 14, “Goldstaub”
15. Arrival, Op. 26 No. 15, “Ankunft”
Stimmung "Paris Version", Op. 24 1/2
1966
1962
1961
1960
1959
1958
1957
1956
1955
1952
1951
1950
Not-dated works
Natural Durations
Natürliche Dauern
Work composed for piano
Laub und Regen, Op. 40 1/2
Work composed for clarinet and viola
Joy
Freude
Duet, composed for harp
Balance
Work composed for bass clarinet, English horn and flute