Classicalmanac is a English-speaking blog specialized in the field of classical music and opera. As such, Classicalmanac is a qualified source of soclassiq, like The Violin Channel or Norman Lebrecht - Slipped disc and many others. The oldest article indexed by soclassiq is dated 2011-12-20. Since then, a total of 94 articles have been written and published by Classicalmanac.
Classicalmanac blog activity
Classicalmanac seems to be on pause right now, since no article has been published for 3 months. The last article in Classicalmanac, "Leon Fleisher (July 23, 1928 – August 2, 2020)", is dated 2020-08-03.
"On pause" does not mean, however, that Classicalmanac will not resume its activity soon, nor that its articles are less interesting than another more active source.
This editorial activity is no different from that recorded for the previous period.
Classicalmanac in the last 36 months
Classicalmanac has been selected by soclassiq to be among its qualified sources because we believe that its articles fully contribute to the knowledge of classical music and opera. Because it is up to everyone to make their own opinion, to love Classicalmanac or to prefer other writings, all our visitors and members are invited to discover Classicalmanac. If you like it, feel free to add it to your browser bookmarks or soclassiq bookmarks (for its members, with the button below). This will allow you to come back to it easily and regularly.
The latest articles from Classicalmanac
Add this page to your soclassiq bookmarks
Leon Fleisher was an American classical pianist, conductor and pedagogue. He was one of the most renowned pianists and pedagogues in the world. Music correspondent Elijah Ho called him "one of the most refined and transcendent musicians the United States has ever produced".WIKIPEDIA
Raymond John Leppard CBE (11 August 1927 – 22 October 2019) was a British conductor, harpsichordist, composer and editor. In the 1960s, he played a prime role in the rebirth of interest in Baroque music; in particular, he was one of the first major conductors to perform Baroque opera, reviving works by Claudio Monteverdi and Francesco Cavalli. He conducted operas at major international opera houses and festivals, including the Glyndebourne Festival where he led the world premiere of Nicholas Maw's The Rising of the Moon, the Metropolitan Opera and the Royal Opera House. He composed film scores such as Lord of the Flies and Alfred the Great.WIKIPEDIA
Jessye Norman (September 15, 1945 – September 30, 2019) was an American opera singer and recitalist.
A dramatic soprano, Norman was associated in with roles such as Wagner's Sieglinde, Ariadne by Richard Strauss, Gluck's Alceste, Beethoven's Leonore and Cassandra in Les Troyens by Berlioz. and Cassandre. Norman was inducted into the Georgia Music Hall of Fame in 1999, and became a Spingarn Medalist in 2013. Apart from receiving several honorary doctorates and other awards, she also received the Grammy Lifetime Achievement Award, the National Medal of Arts, and was a member of the British Royal Academy of Music.WIKIPEDIA
Born in Hammond, Indiana, he studied with Leon Sametini at the Chicago Musical College and with Efrem Zimbalist at the Curtis Institute of Music, where he taught from 1981 until his death. Particularly noted for his insightful and passionate performances of the romantic repertoire and his beautiful but not syrupy tone, Rosand recorded prolifically and appeared all over the world with many major orchestras and concert organizations. WIKIPEDIABIO
André George Previn, KBE (/ˈprɛvɪn/; born Andreas Ludwig Priwin; April 6, 1929 – February 28, 2019) was a German-American pianist, conductor, and composer. Previn won four Academy Awards for his film work and ten Grammy Awards for his recordings (and one more for his Lifetime Achievement).Previn died on February 28, 2019 at home in Manhattan at the age of 89.WIKIPEDIA
Hans Stadlmair conducted the Münchener Kammerorchester for almost four decades. He conducted more than 6000 concerts, many in collaboration with the Bayerischer Rundfunk, including premieres. His compositions include works of all genres except opera. His Miró, an Entrada for orchestra, premiered at the Gasteig in Munich in 2011, with Christian Thielemann conducting the Münchner Philharmoniker.WIKIPEDIA
Oliver Knussen was a British composer and conductor. Though Knussen began composing at about the age of six,; an ITV programme about his father's work with the London Symphony Orchestra prompted the commissioning for his first symphony (1966–1967). Aged 15, Knussen stepped in to conduct his symphony's première at the Royal Festival Hall, London, on 7 April 1968, after István Kertész fell ill. After his debut, Daniel Barenboim asked him to conduct the work's first two movements in New York a week later. In this work and his Concerto for Orchestra (1968–1970), he had quickly and fluently absorbed the influences of modernist composers Britten and Berg as well as many mid-century (largely American) symphonists, while displaying an unusual flair for pacing and orchestration. It was as early as the Second Symphony (1970–1971), in the words of Julian Anderson, that "Knussen's compositional personality abruptly appeared, fully formed". He was awarded CBE […]
When he began to listen to the great works of classical music as a child, Anthony Tommasini had many questions. Why did a particular piece move him? How did the music work? Over time, he realized that his passion for this music was not enough. He needed to understand it. Take Bach, for starters. Who was he? How does one account for his music and its unshakeable hold on us today? As a critic, Tommasini has devoted particular attention to living composers and overlooked repertory. But, like all classical music lovers, the canon has remained central for him. In 2011, in his role as the Chief Classical Music Critic for the New York Times, he wrote a popular series in which he somewhat cheekily set out to determine the all-time top ten composers. Inviting input from readers, Tommasini wrestled with questions of greatness. Readers joined the exercise in droves. Some […]
Conductor Gennady Rozhdestvensky was born in Moscow. His parents were the noted conductor and pedagogue Nikolai Anosov and soprano Natalya Rozhdestvenskaya. His given name was Gennady Nikolayevich Anosov, but he adopted his mother’s maiden name in its masculine form for his professional career so as to avoid the appearance of nepotism. His younger brother, the painter P.N. Anosov, retained their father's name.He studied conducting with his father at the Moscow Conservatory and piano with Lev Oborin. Already known for having conducted Tchaikovsky's The Nutcracker ballet at the Bolshoi Theatre at the age of 20, he quickly established his reputation. He premiered many works of Soviet composers, including Edison Denisov's Le soleil des Incas (Sun of the Incas) (1964), as well as giving the Russian premiere of Benjamin Britten's A Midsummer Night's Dream and the Western premiere of Dmitri Shostakovich's Fourth Symphony at the 1962 Edinburgh Festival.He became general artistic director […]
Robert Mann (July 19, 1920 – January 1, 2018) was a violinist, composer, conductor, and founding member of the Juilliard String Quartet,as well as a faculty member at the Manhattan School of Music. Mann, the first violinist at Juilliard, served on the school's string quartet for over fifty years until his retirement in 1997.Mann was a faculty member at the Manhattan School of Music. Mann, the first violinist at Juilliard, served on the school's string quartet for over fifty years until his retirement in 1997.Mann played and performed on many instruments, including those made by Antonio Stradivari and John Young. Mann was the subject of a 2014 documentary, titled Speak the Music.Mann was born and raised in Portland, Oregon.In 1938, at the age of eighteen, he moved to New York City to enroll in the Juilliard School, where he studied violin with Edouard Dethier, composition with Bernard Wagenaar and Stefan […]